For me, “Sparks” was an easy sell. I’m someone who loves serials, and classic pulp heroes that used their fists and fell for dames while fighting crime. Though “Sparks” is obviously an indie production, it garners the spirit of classic pulp heroes through and through. From a murder mystery, hard boiled cops, masked heroes, and the like, “Sparks” is an entertaining throwback to pulp heroes that, while flawed, is still worth a watch. If only for the great cast. Directors Todd Burrows and Christopher Folino leave no stone unturned in their ode to classic forties comic books, even featuring characters that smoke like it’s going out of style.
Category Archives: Movie Reviews
Maniac (2012)
As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.
RoboCop (2014)
Truthfully, how much further can Hollywood damage Robocop? I think the hoopla surrounding the Robocop remake was very over the top, if only because Hollywood neutered Robocop years ago. “Robocop” was about a man brutally shot to death whose corpse was resurrected in a metallic casing that allowed him to shoot rapists in the nuts. By the time “Robocop 3” ended, he was a mascot with a cartoon, appearing on lunch boxes, and a PG-13 television series. So truth be told, José Padilha‘s remake doesn’t damage the character any further. The best thing I can say about it is that it’s better than “Robocop 3.”
Sorority Party Massacre (2014) (DVD)
You have to give it to “Sorority Party Massacre.” Not many slashers these days have the balls to rip off the entire prologue to “Scream” wholesale. There’s even a long drawn out scene where the young victim is taunted by the caller. Except rather than the audience groaning “Aw, they killed Firestarter,” this time they’ll be saying, “Oh someone killed the girl with the dog. Some dude with a mask. Okay, then.” If that’s not bad enough, “Sorority…” is one of the most tonally inconsistent horror movies I’ve ever seen. It’s never sure if it wants to be a horror comedy, or a horror movie. And even the most distracted viewer will notice immediately.
Reel Zombies (2008): Special Edition (DVD)
Many zombie fans will be quick to compare David J. Francis and Mike Masters’ mock documentary set amidst the zombie apocalypse to “Diary of the Dead.” Truth be told, I was prepared to consider it a knock off during the first twenty minutes, but that would be a disservice to “Reel Zombies.” Directors Francis and Masters don’t offer any pretension about their film and are pretty straight forward in its premise and how they’re not even remotely trying to offer social commentary. There’s no message about racism, or sexuality, or the government, it’s just a straight forward horror comedy. “Reel Zombies” won’t be accused of re-inventing the wheel, but even with its flaws, it’s a damn good horror comedy.
Barefoot in the Park (1967)
The big screen adaptation of Neil Simon’s play is not only one of the best romance comedies I’ve ever seen, but is also one of the very few romance comedies to make me laugh hysterically. The pairing of Jane Fonda with Robert Redford is a master stroke, and the pair as lovelorn newlyweds reveal a hidden often underrated comedic timing that makes the movie as much of a slapstick comedy as it is a sweet tale of reality dawning on two just married lovers that find life rearing its head toward them slowly.




