Director Mark Lester’s giant monster movie is a mix of rock bottom budgets and mediocre common sense. It’s a classic B monster movie about muscle bound pirates, busomy scientists, and a military battling a gigantic monster while operating out of a tool shed with only three people manning the helm. You also have to love how so much hoopla is raised about Poseidon Rex, with the military set to nuke the entire island that’s held Poseidon Rex, only for our busomy heroine to kill it single handedly with a missile launcher. How did no one think of that? What of its eggs in the bottom of the ocean? Also, how can divers talk while their lips are wrapped around air regulators?
Category Archives: Movie Reviews
Poseidon Rex (2013) (DVD)
Director Mark Lester’s giant monster movie is a mix of rock bottom budgets and mediocre common sense. It’s a classic B monster movie about muscle bound pirates, busomy scientists, and a military battling a gigantic monster while operating out of a tool shed with only three people manning the helm. You also have to love how so much hoopla is raised about Poseidon Rex, with the military set to nuke the entire island that’s held Poseidon Rex, only for our busomy heroine to kill it single handedly with a missile launcher. How did no one think of that? What of its eggs in the bottom of the ocean? Also, how can divers talk while their lips are wrapped around air regulators?
Proxy (2014)
It’s a long road to go before “Proxy” ever really gets to the point of the entire narrative, and though director Zack Parker is very good at handling multiple sub-plots, “Proxy” is almost too crowded with them. “Proxy” is a seemingly simple thriller that over complicates itself with twists and turns that don’t really amount to much. It’s not many horror movies that revolve around the very disturbing psychological condition Parker highlights as a means of moving the narrative ahead, but “Proxy” often feels like it’s just jumping from shocking moment to shocking moment without much cogency or complexity. None of the characters are likable or empathetic, thus much of the movie feels cold and listless.
Revenge of the Nerds (1984)
I said it before, and I’ll say it again. If you’re going to rip off a movie, twist it in to something unique and almost refreshing. “Revenge of the Nerds” is my favorite “Animal House” rip off of all time. And while “Animal House” was about underdog slackers battling upper crest class men, “Revenge of the Nerds” focuses on the grade A students and outcasts that fight for their right to be treated like human beings in the face of a world that values physical prowess over basic intellect. “Revenge of the Nerds” has its charms, and though it riffs on “Animal House” every now and then, it still comes out feeling unique and original.
The Sacrament (2014)
It’s really tough in this day and age to come up with new insight in to the mindset of the cult. Director Ti West manages to accomplish such a feat during the narrative of “The Sacrament” where he not only explores the facade of the utopian cult that many flock to, but the inherent mind set behind the structure of the cult. “Many people come here out of desperation,” explains character Sam, thus it’s apparent why community Eden Parish is able to thrive and live for so long without being disturbed. Even though many of the leaders of these cults are conmen, on occasion they’re also desperate individuals seeking isolation and a like minded civilization they can rule, or destroy in one fell swoop.
Stage Fright (2014)
We’ve had horror musicals before, and rock operas aplenty, but it’s not often we get slasher musicals. “Stage Fright” is a very niche horror film, and one that runs the risk of alienating its audience, but for experimental audiences and for folks that appreciate horror comedies with an eighties twist, “Stage Fright” is an excellent and occasionally brilliant bastard child of many sub-genres, that works well as a truly memorable cocktail of madness and gore. Director Jerome Sable really creates a unique and genuinely raucous horror musical that takes “Phantom of the Opera” and builds a very refreshing revenge story from its roots.
Mr. Jones (2013) [Blu-Ray]
I’m not about to call “Mr. Jones” a scary horror film. It didn’t garner any chills from me, and I never really found myself on edge during it, but director Karl Mueller is able to compensate by creating a real mind fuck of an atmospheric film. Granted, the film can never decide on what kind of format it is. Is it found footage? Is it a mock documentary? Is it a straight up narrative? Is it a meta narrative? “Mr. Jones” really doesn’t seek to stick to one format when it really sinks in to the crux of its narrative. It’s an amalgam of “Resolution” and “The Blair Witch Project,” and really has a blast throwing its audience in to a spiral of nonsense.