Back in the early aughts, remake fever was hitting pop culture like a mad rush, and even major television networks were getting in on remaking classic horror films. From “Helter Skelter,” to “Salem’s Lot,” no classic horror movie was off limits. 2002’s “Carrie” doesn’t just remake the Briand DePalma movie for a contemporary audience, but attempts to spin the entire story in to a potential television series for NBC. I’m not too sure what direction they would have taken Carrie in her own series. Perhaps she’d be an anti-hero, or someone who helped other troubled supernatural beings while traveling on the road with Sue Snell. Who knows?
Category Archives: Movie Reviews
It! The Terror from Beyond Space (1958)
The argument over whether “It!” inspired the film “Alien” continues to this day. Film buffs alike still debate about “Alien” and the shocking almost inarguable similarities. The similarities of which were so close the producers of this sued Ridley Scott for plagiarism. It isn’t the first time Ridley Scott or Jame Cameron has been accused of plagiarism, and it certainly won’t be the last. Fans are still finding similarities from “Avatar” to other earlier works of science fiction, and there’s still a heavy opinion that James Cameron lifted his concept for “The Terminator” from “Outer Limits.” There’s also the similarities of “Aliens” to “Starship Troopers.” I’m not saying he’s guilty of plagiarism, but I’m not writing off the potential for it, either. Once you see “It!,” it’s not hard to ignore the similarities, and some may even agree it’s a plagiarized film among many.
20 Million Miles to Earth (1957)
In the fifties, many horror and science fiction films spoke of two things. The nuclear age, and the potential dangers of space exploration. While the US tested radiation, and strived to bring their men to space to explore other planets, Hollywood explored such ideas and its negative effects through filmmaking in films like “Godzilla”, “The Day The Earth Stood Still”, “Them”, and another film that would come in 1968 changing the face of filmmaking and horror for decades to come, a much more grim grotesque exploration in to the potential consequences of bringing a foreign chemical home with us and eventually spell doom for the rest of the world through a familiar foe.
King Kong (1933)
Film icon Faye Wraye plays Ann Darrow, an actress who accompanies an expedition crew to “Skull Island” to discover the god-like giant ape King Kong, a gigantic monstrous animal who is worshipped by tribes that inhabit the island. When Carl Denham seeks to kidnap Kong to bring him to New York to market off of his size and make money, Kong is put on display for all to see. But when he escapes from his restraints and begins wreaking havoc on the city seeking out Ann who he’s fallen in love with.
Curse of Chucky (2013)
One thing is certain after watching “Curse of Chucky.” While it is a lower budget reboot of the series that also works as a sequel, director Don Mancini loves the character. There are call backs to the previous movies, and director Mancini keeps the series focused on Chucky and Chucky alone, without the intervention of side characters. Brad Dourif returns to voice the character of Chucky, and has a good time reprising the monstrous killer doll that returns to wreak havoc on a dysfunctional wealthy family with many skeletons in their closet.
Scarecrow (2013)
You assume a movie about a killer scarecrow would be loads of fun, but “Scarecrow” starring Robin Dunne from the slightly entertaining Syfy series “Sanctuary” is only a passable bit of horror fare. It places little emphasis on the scarecrow, and more time on the characters. The scarecrow is a very stock horror character with no personality or real memorable moments. It takes a great talent to sap the frights from a scarecrow, and Sheldon Wilson’s film accomplishes just that.
Beneath (2013)
While normally I enjoy Larry Fessenden’s indie horror films, “Beneath” really is probably the worst he’s ever offered his fan base. Mean spirited, badly acted, and incredibly heavy handed, “Beneath” is never sure of its intention. The only thing it knows is that it keeps looking to the audience asking “Who is the real monster in this movie?” Again and again, every time these despicable and horrible characters make a decision that just inspires you to wish bloody death on them, Fessenden holds the mirror up asking “Who is the real monster in this movie?” After about an hour, I thought “Okay, we get it! Stop forcing it down our throat, already!” Yes, the giant man eating fish is bad, but these people are cold hearted, vicious bastards. Sing another tune, please!







