It’s only fitting that a comedian so devoted to working against the norm would star in a Christmas film that’s very much against the idea of the holiday. “The Ref” is very much a hilarious and laugh a minute dramedy about familial dysfunction and the idea of Christmas being much more of an obligation than a time to celebrate the loved ones and family.
Though many consider “A Christmas Story” an ode to good old fashioned consumerism, director Bob Clark’s family film is much more about down to Earth themes. Who among us hasn’t wanted that great toy for Christmas that was out of our grasps? Every single person on Earth can empathize with the tale of Ralphie, a bespectacled young boy who wants the ultimate Christmas present. What makes “A Christmas Story” such a universal holiday film is that Ralphie is not a kid that expects his gift. He does everything it takes to earn his Red Ryder BB Gun, short of stealing it.
Thankfully, time has been kind to “Mickey’s Christmas Carol” mainly because the short truncates the Charles Dickens classic, but still maintains many of its themes and heart. In the end, it never sugarcoats the potential fate of Scrooge McDuck, nor does it deny that Tiny Tim will die eventually because he couldn’t afford to eat and purchase the medicine needed for him. That said, “Mickey’s Christmas Carol” is a classic animated special with your usual Disney Easter Eggs, while also telling the classic story of the Christmas spirit.
If there was ever any doubt before of the acting ability of Robert Redford in his long career as a film star, then “All is Lost” may change many minds. “All is Lost” is very much a film I was not prepared for. I’d heard rumblings that it was basically “Castaway” meets “The Grey,” but that’s a complete misunderstanding of what “All is Lost” is striving for. “All is Lost” has two lines of dialogue, and only one character in it. Even “Castaway” about a man stuck on an island for many years couldn’t help stuffing the film with a slew of performers.
Director Richard Shenkman’s “Mischief Night” isn’t exactly the most original horror films ever made. It garners elements of “Ils Them” and “The Strangers” with a dash of “Scream.” And let’s face it, we’ve seen a ton of movies about blind women being tormented by someone in their house, the best of which was “Wait Until Dark.” But what the director does with the film is entertaining and often times very compelling, and that’s mostly thanks to the very powerful performance by actress Noell Coet who lends the film’s heroine strength, wit, and a fierce independence that becomes her saving grace.
Made around the time of the Hal Roach collaborative period with the duo making nothing but shorts, “The Music Box” became the standard for complicated situation talkies that would show buffoons making a bad situation out of a predictably simplistic one. When we learn that yes, it could have all been so simple, we groan at their idiocy, and then realize: What fun would that have been if they took the easy way in their job?
Director Steve McQueen’s adaptation of the chronicle of Solomon Northup’s kidnapping and forcing into slavery for over a decade is extraordinary. It’s absolutely excellent from the opening shot of a group of slaves, Solomon in the middle, right down to the tear soaked finale. “12 Years a Slave” ends up becoming an education for all audiences, and a form of unjust punishment for Northup who was just beginning to soak up his freedom, and found himself imprisoned back in to a personal hell of slavery, torture, and humiliation. I’ve been a fan of Chiwetel Ejiofor’s work since “Melinda and Melinda,” and in “12 Years a Slave” is performance is absolutely astounding.