The Goonies (1985)

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If you want a pure unadulterated ride in to the middle of the eighties, “The Goonies” is an inadvertent trip in to the complete mindset of the decade. Cyndi Lauper, adventure, escapism, work out obsession, coming of age, nostalgia for the sixties, a humongous Steven Spielberg influenced narrative, Corey Feldman, Richard Donner, Jonathan Ke Quan, if it was in the eighties, it’s likely here. That doesn’t act as a caveat, thankfully, as “The Goonies” is a very decade relevant film that still manages to work as an excellent child oriented fantasy adventure in the vein of “The Hardy Boys.”

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Phantom of the Megaplex (2000)

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I think one of the reasons why the DCOM “Phantom of the Megaplex” has now gone on to basic obscurity is that it’s one of the weirder movies the Disney Channel ever produced. It’s not just an ode to the love of movies, but it’s a call back to “The Phantom of the Opera.” Not only does the film draw heavily from the original story, sans the violence and murder, but it actually influences its audience to check out the Lon Chaney masterpiece. “Phantom of the Megaplex” is a busy and often messy horror fantasy, but one that works, mainly because the writers of the film clearly love movies as much as we do.

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From Dusk Till Dawn 3: The Hangman’s Daughter (2000)

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There is still no explanation as to the origin of the strip club/temple. Not that I really cared, mind you. In the final shot of “From Dusk Till Dawn,” it was a great final blow to the audience to show how these vampires have likely been committing these slaughters since the mid-1800’s. I didn’t need to know how they got together and devised this idea to lure bikers and truckers to feast on them, but I assume if they’re going to continue the series with a prequel, you might as well give it a shot and explain how the temple came to be. Maybe an 80’s montage set to “Our House” with the vampires building the club and painting it at night or something.

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From Dusk Till Dawn 2: Texas Blood Money (1999)

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Let’s face it, someone took a shitty movie about vampire bank robbers and turned it in to a sequel to “From Dusk Till Dawn.” Except it’s nowhere near being a sequel. Even with an appearance from Danny Trejo as the vampire bartender Razor Eddie from the first film, this is a shitty vampire movie someone decided to make in to a sequel. It’s a goofy, campy, and ridiculous vampire movie filled with horrible performances, and a ridiculous premise that does nothing to reconcile itself with the first film. There’s not even a mention of Seth Gecko for crying out loud. Shit, at least re-cast Juliette Lewis’ role as Kate Fuller and follow her along on another vampire adventure, at least.

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From Dusk Till Dawn (1996)

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 Not surprisingly, when long time film making pals Quentin Tarantino and Robert Rodriguez teamed up to make a horror movie, in the end it felt like two different movies. For folks unaware of the duo’s style of writing and film making, the second half will completely blow away anyone entrenched in the crime drama that is the first half of the film. “From Dusk Till Dawn” begins like a hyper violent take off of “Reservoir Dogs.” Seth Gecko and his brother Richie have broken out of jail leaving a trail of bodies behind, and are now hiding out in a gas station. Just their luck a sheriff comes in to chat with the owner, and thanks to a series of mishaps, Seth and Richie leave the gas station and its workers dead in a hail of gunfire and flames.

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Carrie (1976)

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Upon first glance, you’d think Brian DePalma directing a Stephen King Adaptation would be something disastrous. DePalma has spent most of his early career emulating Hitchcock, and delivering cerebral gems like “Sisters.” It’s a treat though that he ends up becoming one of the most crucial elements of “Carrie” and its adaptation. Because what the director can’t convey through special effects, he conveys through some amazing camera work and editing that still wows me to this day. “Carrie” is easily one of the best horror films, and revenge films ever made. It’s a brilliantly cast and deeply tragic story of a girl whose powers became the judgment day for many cruel individuals who preyed on the innocent.

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The Rage: Carrie 2 (1999)

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It’s a remake! It’s a sequel! It’s a remake! It’s a sequel! No, it’s an homage! Who knows what “The Rage: Carrie 2” is. Like most “sequels” in the late nineties and early aughts, I imagine this was originally just called “The Rage,” and the studios decided to plug in a lot of continuity from Brian DePalma’s “Carrie.” A few quick fixes, and voila! We have a sequel to “Carrie” that no one wanted. “Carrie 2” is actually a solid dramatic thriller when all is said and done, the problem is it’s really not necessary. We don’t need to know what happened once Carrie White destroyed her entire student body.

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