In the first “Paranormal Activity,” director Oren Peli seemed to have a one off horror movie in mind, but did allude to a lot of back story during the film. We do know from the first movie that Katie had been suffering from odd hauntings all her life, and had blocked out a lot of her childhood leaving the door open for the mysterious demon to enter in to the lives of she and her husband Micah. “Paranormal Activity 3” ventures even further back and widens the scope of the narrative to explore the deeper mythos behind the series of hauntings that took the lives of Katie and her husband.
Category Archives: Movie Reviews
This is 40 (2012)
For the majority of Judd Apatow’s film career, there seemed to have been a trend of movies about bromances and guys growing up thanks to gorgeous women in their lives. “This is 40” breaks that trend and seems more intent on two purposes: One it wants to desperately trot out Judd Apatow’s daughters as cute, witty, and irresistible to the point where casting agents will have to bring them on to their next movies, and two: to redeem the utterly despicable character Leslie Mann played in “Knocked Up.” Touted as a “sort of sequel to Knocked Up,” Judd Apatow sets his sights on the life of supporting characters Pete and Debbie to explore what they’re doing now that they’re turning forty and are still rather unlikable people.
On Top (2012)
Whomever cast actress Nikki Estridge for the role of escort Adrianna is a genius. “On Top” is a short film that’s reliant on casting the perfect woman for the role of the insatiable and professional escort who is wholly unapologetic in what they do. Star Nikki Estridge is excellent in her performance as professional freelance escort Adrianna who strives in pleasing her clients and loves what she does.
Miracle on 34th Street (1947)
It’s rare that a film targeted toward the Christmas holiday can manage to not only capture the magic of the holiday spirit and its intent, but the beauty of the human spirit. George Seaton’s iconic “Miracle on 34th Street” isn’t just about Christmas and the spirit of the yearly event, but the kindness of the human soul and the remarkable things we’re capable of when our hearts are in the right place. It’s interesting to note that though “Miracle on 34th Street” lives on as a family film and a holiday movie, George Seaton’s picture stands on its own as a raucous comedy, and one that will draw laughs thanks to some great slapstick and hilarious one-liners that still manage to hit their marks.
Ghost Rider: Spirit of Vengeance (2012)
If this sequel had any balls, they’d take the reins of Johnny Blaze and hand the character over to someone talented like Idris Elba. At least then there’d be an interesting angle to this wretched sequel to a painfully mediocre movie that barely anyone remembers. Nicolas Cage once again proves he has no business being in film, reclaiming the role of Johnny Blaze, the balding mid-fifties biker who was cursed as Ghost Rider after making a deal with the devil. In case you didn’t know that, there’s five minutes of bad exposition along with Cage narration explaining the entire mythology of the Rider and what he does in particular, cue terrible animation. Most of the time during the opening animation, Cage sounds like even he doesn’t take this garbage seriously, and spend most of it making light of what is supposed to be a terrifying and mystifying character in the comic book universe.
The Lord of the G-Strings: The Femaleship of the String (2003)
I still don’t quite understand the appeal of Seduction Cinema. Hell, even I find the movies they release to be entertaining and appealing. The women are hot, sure, but this is the age of the internet where pictures and videos of hot women are at your finger tips in seconds. And surely there are more hardcore films out there with hotter women. Surely, it can’t be the sex scenes since all of the sequences involve light kissing and mild petting. Watching a movie from Seduction Cinema is akin to getting your crotch rubbed over thick pants.
Hitchcock (2012)
Director Sacha Gervasi’s treatment of the life of Hitchcock is very much in the tone of Tim Burton’s “Ed Wood.” I gather there will be numerous comparisons and parallels drawn, as this new look at Hitchcock’s career is very much like Burton’s own tribute to Ed Wood. There’s the breaking of the fourth wall, the satirical look at filmmaking, the focus on the madman behind the director, the glimpses at studio politics, and ultimately the way women affected these two famous directors. This time around Alfred Hitchcock is worn by Anthony Hopkins who doesn’t quite convince as the rotund director, but has a ball as the perpetually repressed and lovelorn creative genius who expressed his inner most desires and fears through his own creative work. For Hitchcock aficionados, “Hitchcock” doesn’t quite inform you of facts about the man’s life that you haven’t already seen or read before.