12 Angry Men (1997)

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The real reason to watch 1997’s remake of “12 Angry Men” is to see Jack Lemmon and George C. Scott share the screen once again as they did in the very entertaining remake of “Inherit the Wind.” This time Lemmon replaces Henry Fonda in the role of Juror 8 while Scott is Juror 3. For a film directed by William Friedkin starring twelve very notable and prolific character actors, this version of “12 Angry Men” is very vanilla and absolutely forgettable. Friedkin never quite opts for subtlety with this reworking of the stage play, so he walks around with his camera, and films the teleplay like it’s an episode of “Law & Order.”

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12 Angry Men (1957) (Criterion Collection) [Blu-Ray]

“You’re faced with a grave responsibility, ladies and gentlemen…”

VC9HzgPOne of my favorite scenes of “12 Angry Men” is in fact the opening. Sidney Lumet doesn’t so much provide exposition as he lays out the basic rule of the premise. These twelve men don’t have to abide by story conventions so much as they have to abide by the law and a strict principle about judging someone during this horrible trial. The question soon becomes how far will these men stretch these laws and principals to fit their own agendas? What will keep them biased and subjective in a case that requires a clear thought and analytical mind? The opening shot features the young boy in question transposed over the establishing shot of the empty jury room where his fate lies. He’s a young, minority, juvenile delinquent, with a violent past and his life lies in the hands of twelve strangers. Worse is that these twelve strangers have their own vendettas. His cards are stacked against him immediately since the trial has drawn on for weeks in to the hottest day of the year. The jurors were, presumably, chosen for their ability to put aside their own personal preferences to judge a case, but once Sidney Lumet puts these twelve men in a room together, it soon becomes apparent everyone has arrived with their goals in mind. It’s a group of the worst and best of America.

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The American Scream (2012)

The common Christian stereotype is that Halloween is almost always celebrated by Pagans and Satanists, as well as people with a demented sense of reality. What the director of “The American Scream” Michael Stephenson accomplishes, is destroying such an antiquated cliche and explores a world of folks who adore Halloween and are just working class individuals looking for an escape from their lives. “The American Scream” has an undercurrent of sadness to it where the happiness and smiles are really seeking to cover the heart ache and desperation behind the subjects who treat Halloween like an event every single year. I’m proud to be one of those people who anticipate the month of October right around the beginning of August, and these folks featured aren’t so different.

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Led Zeppelin: Celebration Day (2012)

Zeppelin is thankfully not a band that has spent many years announcing their retirement only to return a few years later for a revival tour. When they perform it’s a special occasion, because they rarely ever get together to jam. When they’re together, they make magic, and you know it may never happen again. Since the death of John Bonham, the surviving members of Zeppelin have spent years hesitant to try to re-capture the magic that was Led Zeppelin, so they don’t make it a habit of re-uniting and continuing on. In 2007, the band came together to perform at the Ahmet Ertegun Tribute Concert for a rare line up of some of their greatest and most rocking tunes ever recorded, and took it upon themselves to make it available to fans.

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Katy Perry: Part of Me (2012)

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At the end of the day, Katy Perry’s awfully immediate documentary about her life on the road is as hard hitting and candid as your normal fluff piece on an entertainment TV show. “Part of Me” is really supposed to be a film for the Katy Perry fan club where she strives, enjoys life, and reveals her hardships from a struggling Christian singer to a fairly so so pop star. It’s all fluff and should really be called “Katy Perry is Amazing” when all is said and done. Continue reading

Help for the Holidays (2012)

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It’s Summer Glau as the cutest elf ever created. As her future husband and father of her children, I have to support my gal. It’s only logical.

You say delusional, I say hopeful. I guess other people star in this movie, too, but Summer Glau stars as optimistic elf Christine, one of Santa’s most important elves who dreams of another world where Christmas isn’t the focus of every day. Christine gets her wish when Santa gets an alert that there’s a family that has lost their Christmas spirit and is in need of some fun and love. Christine is sent as an agent in to a small town to help mom Sara VanCamp (Eva LaRue), a local store owner, re-claim her spirit and discover how much she’s missing of her children. Christine’s journey is of course the one that matters in the film, as she figures out the real world is much more difficult than she ever realized and every choice she makes with the new assignment has their consequence.

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Unbreakable (2000)

In the year 2000, after M. Night Shyamalan premiered his innate storytelling ability with the surprise supernatural thriller “The Sixth Sense,” he pretty much dashed expectations with a follow-up film that no one was expecting. Initially considered a poor follow-up, M. Night Shyamalan really approached a film that could well within his storytelling parameters, and he did so with a subtlety and humility that’s finally being appreciated. “Unbreakable” is a rather underrated masterpiece, and one that really does pay homage to the comic book mythology that society generally looks down upon. By approaching the comic book mythos with a straight face and a somewhat surprising dramatic dignity, M. Night Shyamalan adds a realism to the superhero origin story that’s deliberately paced and absolutely compelling to witness.

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