Paintball (2009)

Director Daniel Benmayor seems to want to create his own version of “Battle Royale” with a hint of “Saw” and “Predator” mixed in to the fold. In the process, he manages to create one of the most moronic genre entries in a very long time. “Paintball” tries to take a normal sport and turn it on its head, in hopes of becoming something in the arena of “Jaws.” But the only thing this movie will inspire you not to do is watch it again. “Paintball” works against logic and common sense from the get go by writing characters that are all numbskulls. They’re so idiotic that when it becomes painfully clear they’re being hunted, they still hold their paintball guns in front of them like weapons and aim. What were they hoping to do with ineffective paintballs? Stain the killer to death?

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Little Reaper (2013)

The role of the grim reaper isn’t an easy one, and the Grim Reaper himself knows it all too well. He’s getting on his years, and is now looking to train his daughter to become the new Grim Reaper. She is a young girl who is obsessed with her own life, and isn’t looking forward to becoming a reaper. She just wants to be like the cool girls in school, the Banshees. But, being the daughter of the Reaper, she will eventually have to keep the scales of life and death balanced, and the Reaper is intent on making her uphold her duties, or endure a terrible grounding.

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A Hand to Play (2013)

Mike Clarke’s short thriller “A Hand to Play” is an interesting and dynamic slight of hand for crime thriller fans, and it’s one that I hope really storms film festivals. Clarke is wise to cast the primary antagonist as the great Doug Bradley, who can play this role in his sleep. As the villain Mr. Trent, Doug Bradley brings with him a gravitas that posits him as one heck of a horrifying villain.

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Rocket (2012)

Director Aviral Kapoor’s “Rocket” is a pretty serene and cute short film about a father and a son that realize they’re much more alike than they’ve ever given each other credit for. In “Rocket,” director Kapoor sets down on a young boy named Kevin whose life is filled with loneliness occasionally interrupted by bullies who make a habit of beating him up every day after school. When Kevin returns home, he finds his father James doting over inventions while Kevin is forced to take to his own amusement, and figure out his own problems.

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In the Army Now (1994)

Pauly Shore?! In the Army?! But–what wackiness will ensue from this mash up? The nineties were a time where Hollywood attempted to thrust Pauly Shore on American audiences. And it seemed for a while that Shore was well on his way to becoming a comedy icon. That is, until America caught on quicker than he could establish himself. It was a case of “He’s kind of funny… wait, no he’s not!” Hell even I kind of liked him for a while. It’s a pretty sad commentary on the decade, when the comedy rebel we’re given is Pauly Shore of all people.

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Murgi Keno Mutant (Attack of the Killer Mutant Chickens!) (2011)

It’s always nice when animators aren’t always interested in appealing to the whimsical and fantastical elements of animation. Sometimes, animators want to be bizarre, and “Murgi Keno Mutant” is about as bizarre as it gets. Even the animation recalls the work of Ralph Bakshi at certain points. In the near future, food is in short supply and the only meat available come from giant mutant chickens, which they survive on.

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Cabbie (2013)

Short and much more succinct, director Donlee Brussel’s “Cabbie” has really managed to change its overall tone, lending to its a bittersweet taste that I thought worked much better. “Cabbie” still has its flaws, but when it was done, the purpose of “Cabbie” seemed much more focused. “Cabbie” is centered on aspiring cabbie Marty, who is a combination of naive and quirky. He sees the more interesting purpose of cabbies as being a noble profession, and wants desperately to be the nomadic cab driver that travels the city looking for new people to take to their destination.

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