It’s rare that fan films can present a premise for a simple concept that can be stretched in to a feature length film. It’s also rare that a fan film that can pay tribute to a beloved icon while also adding a creative twist to it that gives it a special flair that fans would love. “Pac-Man: The Movie” by James Farr changes the concept of Pac-Man while also adding a new flavor to it that works wonders. Pac-Man is, of course, the iconic video game from the eighties about a yellow disc eating pegs and avoiding various colored ghosts. What director Farr and Steelhouse Digital do is add a science fiction twist to it that’s not only incredibly entertaining but pretty damn brilliant.
Category Archives: Movie Reviews
Prehysteria! (1993)
Hey, during the big dinosaur craze of the nineties, owning your own dinosaur was something almost every kid dreamt of. Owning your own miniature dinosaurs was just the icing on the cake that Charles Band and Full Moon pinpointed with accuracy. Sure “Prehysteria!” is one of almost two dozen films in the Full Moon library about miniatures of some kind, but “Prehysteria!” succeeds in being a novel family film. Granted, it’s cheesy as all hell, but in the context of the nineties, it gives kids their ideal fantasy: Owning and befriending their own pet dinosaurs. Dinosaurs with their own sweet personalities, to boot!
The Hidden Chapter (2012)
In truth I could kind of see where the short film from director Rodney Wess was headed, but “The Hidden Chapter” has enough potential to be a solid crime thriller, that I saw it to the end, either way. Though the film does have occasional sound problems, and some editing issues, Rodney Wess does compose a clever and sharp crime thriller short that goes beyond your normal tale of cat and mouse.
The Day (2012)
For fans of post apocalyptic cinema who love their fiction with subtext and undertones of society and class warfare, you’d probably want to look elsewhere for your brain food. Goodness knows I loves my apocalyptic fiction, but “The Day” is purely apocalypse porn with an artsy gloss added to it for good measure. Director Doug Aarniokoski tries to conceal the fact that this movie is basically a clumsy and one-dimensional action film by lensing the entire film through a black and white filter that saps the color, and directing almost every shot with a hand held camera. Someone at Anchor Bay or WWE studios loves John Carpenter’s “Assault on Precinct 13” because 2012’s “The Day” is basically an end of the world version of it.
Masters of the Universe (1987)
We could have had Star Wars meets Conan the Barbarian. There’s monsters and machines aplenty in the “He-Man” mythos! There’s villains and demons and mystical storylines in the franchise. Except we’re given He-Man in the Hood! This is a man who comes from a civilization with unusual machines, and magic, and war weapons, and he can’t get over the fact that there’s a place that sells meat on bones for human consumption. There’s literally a scene where Teela, Man at Arms, and He-Man marvel at a bucket of chicken and ribs they found at the local restaurant. This is clearly not what we He-Man fans originally envisioned. Of course, that didn’t stop me from watching it at least a thousand times when I was a child, but “He-Man” deserved a space epic the size of “Star Wars” and instead we get so little of it. I’m not asking much from a franchise built solely around selling toys, but there is a lot of mythological potential for making a He-Man movie.
Arkham Rising (2012)

This is one of the few fan films I’ve seen that doesn’t take place prior or subsequent a film, but during the film. Unofficially considered a part of the Nolan Batman mythos, director Tito Guillen’s short is set during the time where Bane has defeated Batman and now sets every criminal in Arkham free to do whatever their hearts desire. With a thick sense of tension and dread, along with a wonderful score that channels Nolan’s films, “Arkham Rising” is a simple and short look at madness being unleashed.
Bad Boys (1983)
After “Fast Times at Ridgemont High,” actor Sean Penn barely skidded the realm of being typecast and completely destroyed his break out role by taking on a new form as a dramatic actor. One of his more intense efforts is the 1983 “Bad Boys,” an underrated but excellent near masterpiece about boys on the verge of being men who don’t realize they’re about to become hardened criminals if they don’t break out of their cycles of violence soon. “Bad Boys” is a message at the core about when these young men will transform in to individuals capable of being tried as adults and when they will eventually make it in to an actual penitentiary. In the realm of “Bad Boys,” the penitentiary is the final stop for these young men, and counselor Ramon Herrerra makes a point of showing main character Mick O’Brien his environment, if he doesn’t find a way to change his fate soon.

