For the past four films, director Paul WS Anderson has taken what was once a very entertaining horror franchise and turned it in to a series of movies fetishizing his wife and doing nothing more than further his muse-like view on her. We nearly saw her naked in the first movie, she was a bad ass in the second, a goddess in the third movie, and in the fourth we’re given an army of Milla’s, presumably a concept Anderson got his jollies off of. That said “Afterlife” is a movie that continues to drag on this wasted concept and posit the question: Why is Umbrella continuing their research if about ninety-nine percent of the world consumed by hellfire and the walking dead? What do they further have to gain beyond being evil for the sake of being evil?
Category Archives: Movie Reviews
Machete (2010)
Robert Rodriguez proves with “Machete” that his and Tarantino’s little experiment entitled “Grindhouse” was much more of a failure than fans originally suspected. While both of their original films were basic flops at the box-office, Rodriguez is given another shot with “Machete” a film that began life in popularity as a mock grindhouse trailer before “Planet Terror” and eventually became a feature length film. And much like most of Rodriguez’ films, he takes what could have been an amazing premise and turns it in to a scattered, confusing, and muddled piece of action cinema that throws a host of characters at the screen, all of whom he can barely keep up with at one time.
The Losers (2010)
I’ve never actually read the graphic novel “The Losers” is based on and sometimes that’s a good thing, since a film adaptation tends to garner its own flavor and narrative path from its source material and that can be said for the film adaptation of “The Losers” a movie that doesn’t try for Oscar gold or even legendary status but instead tries to make us laugh and cheer about as much as humanly possible in the ninety minutes it greets us with an array of bad asses, each with their own skill, who have a bone to pick with their government. Like “The A-Team,” this group of soldiers were all framed for a crime they didn’t commit, and deemed dead after a failed assassination attempt, disband and lose touch.
The A-Team (2010)
One of the benefits of “The A-Team” is that you can bask in the sheer idiocy of the story as most of the fans of the series did. Where in the original had four grown men in a black van storming through gates and beating people up, this one has a guy shooting from a tank dropping down to Earth and shooting down fighter planes. It also has a goofy 3D gag involving a truck that is pretty memorable. When all is said and done “The A-Team” doesn’t really want to re-invent the wheel, but instead just seeks to pay homage to the dumb original series that starred Mr. T and made him an eighties sensation.
Firebreather (2010)
Sure, at the end of the day this computer animated movie about a fire breathing teenager is really solely geared to preteens of the male persuasion. With a male character who looks like an anime character who is geeky and has superpowers, this is a movie that will really grab a hold of the young crowds. And sure, like all cable movies, this is a potential series, but I am a complete sucker for superhero movies. And in the same vein I am a sucker for underdog tales. I vaguely remember seeing an ad for the original comic book online a few years ago, so it was surprising to see a movie pop up that was based on a comic series I’ve yet to read or even fully be aware of. Researching the series, it’s story where the villain is taken on by Firebreather and Image characters like Invincible, Shadowhawk, and many more respective properties.
127 Hours (2010)
Director Danny Boyle’s dramatic thriller chronicles the hours of Aron Ralston and his battle with a lodged rock that sealed his fate and brought Aron down to Earth to come to grips with his own life and mortality. Much like “In to the Wild,” director Boyle takes what was something of an already interesting story and turns it in to much than an experience by altering it in to a surreal and somewhat spiritual look back at a young man whose life has been filled with excitement and adventure that he used as a form of coping with his inability to allow people to connect to him as he connected to nature and the wilderness. And much like Sean Penn accomplished with “In to the Wild,” he manages to take an accident and uses it as a form of expressing the ideas of fate, coincidence, and the afterlife and a person communing with and ultimately becoming one with the environment around him.
Let Me In (2010)
I think “Let Me In” will be deemed as a respectable companion piece to the infinitely superior “Let The Right One In” if only because Matt Reeves directs this version with his eye on convention more than edge. The original was already so gruesome and complex and filled with subtext and undertones that Reeves opts instead for simple and superficial and it will rely on the audiences preference if they want a movie about a vampire and a boy falling in love, or if they want a story about a boy and a girl falling in love, one of whom mutilates people and drinks their blood.