Come on even the most militant fan of “The Dark Knight” has to admit that at one point “Iron Man” completely stole the thunder from the marketing campaign Nolan and Warner Bros. steamrolled in to theaters and for a short while it looked like the sequel to “Batman Begins” was doomed to be an under performer. It was a brief window but surely enough Marvel took the steam from the Big Eared One. And why wouldn’t it? Marvel has done it again. Sitting down to watch “Iron Man” is an incredible experience and one that warrants at least three or more viewings for any fan of comic books. If you’re a hardcore comic book geek like I am, you’ll know that “Iron Man” had every chance to be a steaming pile because the character has always been a third rate joke in the Marvel Universe.
John Lennon was calling for something big, he wanted something revolutionary to happen, something that would shake up the world and let the government realize that the people would not and could not be bullied in to war. He wanted peace, and as wholly naive as it may have seemed on the outside, it was a goal that was possible if we’d just try it out. It hurts to think that his words were in vain and that everything this man believed and taught went away in a hail of apathy, comfort, and luxury with technology and the man meant every single word.
One of the more entertaining moments of “Next Avengers” involves the eventual emergence of the Incredible Hulk from the eccentric form of Bruce Banner, now a scientist in hiding. Watching the Hulk smash these cheesy robotic copies of the avengers was quite cathartic, and it’s also refreshing to see the team stick to the mold of Ultron as we know him, a corruptible and despicable technological force who will prove to the be prevalent menace if a series pans out. I also really enjoyed watching the original Thor talk to his daughter Torrum in the climax; it’s a surprisingly touching moment that may sell me on watching this with my nephew.
The world is in shambles. The country is on the brink of depression. Millions are out of work. Violence is now considered entertainment. Convicts are now reduced to television stars for our own sick amusement. And we’re now on the brink of revolting against a corrupt disgusting government run by a madman. But enough about modern times, right now we have “Death Race”! A film that barely covers any of those issues beyond using it as a back drop for the basis of the death racing, where as Corman’s original was so ahead of its time, it perfectly encapsulates what this generation is all about and it was made in the seventies!
People bitch about how video games get a bad rap, but these days so many action movies are built around this concept that make them live action video games. It’s impossible not to hate on video games when so many action movies want to convince us that they really could be if a studio tried hard enough. Take “Redline” a movie thankfully obscure due to a poor release date and terrible publicity, but is really just constructed like a video game. We have cut scenes, colorful characters, bosses, and various drivers all of whom are introduced with profiles and name inserts by heroine Natasha who takes great pains to give us back story without the script ever having to do the work to good old fashioned storytelling.