Much like films such as “Havoc,” and “Dreamland,” the teen thriller “Alpha Dog” is about as realistic a representation of the modern teen as Hollywood would like you to believe. The only saving grace is the fact that it’s based on a true story, which helped fuel my strong interest, along with the lovely Amanda Seyfried starring. “Alpha Dog” is a display of the best of the best young talents that Hollywood has to offer with an ensemble hearkening back to the likes of “The Outsiders” on many occasions. People like Ben Foster to Emile Hirsch pull in very good performances, with even Justin Timberlake pulling in a stand out as Frankie, a friend of Johnny Truelove’s who is given the duty of watching young Zack, and inevitably gains a sense of fondness for him. Timberlake is unlike anything I’ve ever seen here, and he’s both sympathetic and utterly memorable as a character that begins as a mere supporting player and ends up a key figure in the progression of crime drama.
Category Archives: Movie Reviews
Alabaster (2007)
One of the aspects of Brandon McCormick’s “Alabaster” that I enjoyed was his unflinching willingness to completely hit the ground running in a world of surreal characters. Like many other existential dramas, “Alabaster” is a film comprised of many elements, all of which are leading somewhere. I won’t give anything away for you, but immediately, I could sense that “Alabaster” and its variety of odd characters and symbols was inevitably going to come together to say something. And quite honestly, I was riveted.
Renaissance (2006) (DVD)
Almost simultaneously released alongside Richard Linklater’s equally high concept animated film “A Scanner Darkly,” Volckman’s “Renaissance” is a little bit of George Orwell and Phillip K. Dick with the same neo-noir atmosphere of Frank Miller with a Dystopian twist, and it composes itself as an equally high concept animated science fiction installment that focuses on a society that’s not too much in the distant future from ours. The world is ruled by vanity and the search for eternal youth, and this is all spearheaded by an ominous corporation called Avalon that markets on society’s youth obsession and rules over all of society. Ads pop up from thin air, follow pedestrians, and always seem much more omnipresent than they should.
Storyteller Films: A Writer Named Phil Hall (2007)
One of the interesting aspects of this special is that Phil Hall never seems full of himself and his accomplishments. This is a man who is on screen for almost a half hour, and his one intent is to teach and guide instead of boast of his endless accomplishments. Which is not to say his accomplishments are worthy of ignoring but for a special that would open the door for vanity, Hall is more intent on guiding.
The Simpsons Movie (2007)
For my money, “The Simpsons” is quite possibly one of the best television series ever created, with “Seinfeld” a very close second. “The Simpsons” and I have a long history together. I’ve been a hardcore fan since the Christmas premiere on FOX so many years ago, and I followed the series religiously up until its dissension into sheer mediocrity so many years ago. There’s only so much I can take in terms of being a hardcore fan, and it’s not a secret that “The Simpsons” have fallen in terms of wit and brilliance that spawned such a revered classic.
Friday the 13th: Mother's Day (2007)
I’ve seen plenty of fan films in my time. Comic book fan films, Star Wars fan films, and yes even fan films from other movies. Usually they’re made by utterly ambitious fan boys, with a sleek production quality, and yet only really range a running time of 10-45 minutes, with the work done before the bag gets old. “Friday the 13th: Mother’s Day” is probably one of the most ambitious fan films I’ve ever seen—the jury is still out. Not only does it pay homage to my favorite horror franchise of the genre, but it’s based on a teen novel, and runs for about ninety minutes. Suffice it to say, I was shocked when I took a glimpse at the running time for this movie. Ninety minutes? Were they kidding us? No, they were not.
The Medium (2007)
What Wydeven possesses in “The Medium” is a keen eye for visuals that compliment the story he’s attempting to tell within the space of only twenty-two minutes. “The Medium” is a rather interesting tale that starts off with much less of an impact than we’d ever suspect, and Wydeven takes what could have been a boring film, and adds an eye for detail, even with the apparently limited scenery. What the real appeal is of “The Medium,” is the detail.