Director John Favreau commits a fantastic feat with “Iron Man”: He makes the character interesting. Iron Man has always been a second tier character of the Marvel Comic Universe who was never taken too seriously by avid comic fans. He was boring, and more often than not, lame. Stark was always a very unsympathetic figure of the Marvel mythos, and his ability to be taken down by almost anyone who ripped through his armor to get to the man, rendered him rather forgettable and often satirized. So what does Favreau do? He takes the character and turns him into a hero we want to see. Every adaptation of the character has been bland. Until now that is, where with pitch perfect casting and sharp writing, the character of Iron Man becomes an amazing presence on screen, and even better, Tony Stark becomes an alter ego we can care about, laugh with, and root for.
Category Archives: Movie Reviews
Southland Tales (2006)
Acting off the pretense that it’s smarter than we all think, for approximately two and a half hours, Richard Kelly’s “Southland Tales” is proof positive that “Donnie Darko” was a fluke and he is a one trick pony, and an insufferable one to boot. And alas, Kelly will always ride on the reputation that precedes this rancid pile of garbage and anything else on the way out of his mind. Here, Kelly taps the “Donnie Darko” well again. There are chapters, spirituality, a disjointed series of sub-plots, visual flourishes all with a touch of self-awareness that kicks us in the face every single second. And in the process, Kelly also manages to beat us over the head with political commentary that is warranted but so clumsily delivered he often seems to try too hard.
Teeth (2007) (DVD)
Director Mitchell Lichenstein’s controversial dark comedy is a strong contender for one of the best of 2008 featuring one of the most twisted comedies I’ve ever seen. Though it’s heavily steeped in the horror genre, writer Lichtenstein doesn’t just pose a concept that’s potentially ridiculous, but he takes it and turns it into a rather surprising and brilliant allegory on sex, and evolution. “Teeth” is the antithesis of every coming of age romance you’ve ever seen with a twist of Tim Burton, and John Waters thrown in for good measure. Dawn is the next step of evolution with her infliction of Vagina Dentata, and she doesn’t even know it. In a town with a radioactive plant always present in the backdrop in every shot of the film, Dawn has taken the next step of evolution for women and doesn’t quite know how to deal with it.
The Hottie & the Nottie (2008)
“The Hottie and the Nottie” is nothing but a big game of “pretend” that director Putnam asks his audience to play along with, but… we can’t. Pretend Paris Hilton is hot, pretend Paris Hilton is one of the most desirable women on the planet, pretend the CGI used to cover Hilton’s fugly features isn’t there, pretend even with an utterly disgusting but sweet woman, that Paris hilton would be the better alternative, pretend this movie is funny, pretend this movie isn’t one of the worst comedies ever made. I can’t even pretend Paris Hilton is good looking, so from the start even with the body doubles (how did she get that ghetto booty?!) and trick camera angles, this “comedy” is a tall order and attack on my senses from the first twenty seconds. Because, a movie where Paris Hilton is a bombshell is less comedy and more Science Fiction.
An American Crime (2007)
Last year I saw the film adaptation of author Jack Ketchum’s novel “The Girl Next Door,” a dramatic thriller based on the infamous case involving a young girl kept prisoner in a basement to be tortured relentlessly by her aunt and cousins. While I absolutely loved the Ketchum film, I was interested to see if it was any better or not as good as “An American Crime,” a festival runner that made considerable waves among audiences, but has yet to be released in America. Determined to seek out most (if not all) of Ellen Page’s prior work, I sought out “An American Crime,” and was surprised to see that it pretty much equaled in quality, and proved how much of a versatile actress Page is and will soon become.
The Dragon Painter (1919)
While I would have loved to adore “The Dragon Painter” and the story that unfolds, I can’t say that I did. For a movie made in 1919, Sessue Hayakawa’s film is a wonderful epic with some rather incredible splashes of stark color and sweeping landscapes. Even for a print that’s aged and was nearly lost the picture transfer for “The Dragon Painter” is awfully fantastic with crystal clarity, and an incredible score. Even those who dislike the movie will find some value in the backdrops and set pieces, including Hayakawa’s eagerness to break all stereotypes of the Asian culture.
Garto (2007)
Worthy of Pixar, Luis Gomez Guzman’s film “Garto” is such a wonderful bit of simplistic conflict, and minute adventure that it’s hard not to love it thoroughly. “Garto” is a mostly silent short computer animated comedy revolving around a green lizard named Garto who is so bored, he decides riding on the back of a passing oversized Bee will be fun. The problem is that the bee is not letting him grab a ride, and Garto will not relent in his mission for some fun.