Why did I even long for a Grind House revival, when it was happening right under my nose? You may be surprised to hear this, but I can be a bit slow witted at times. Right now, there are about a hundred young directors creating movies, all of whom are just clamoring to re-invent the Grind House and exploitation genre, and they just don’t get enough of the credit that they deserve for accomplishing what Hollywood has tried so desperately to do. The proof in the pudding is this utterly fantastic production short from Cinephreak Pictures that aces every feeling and novelty you get from a Grind House film, with a touch of Blaxploitation for good measure.
Category Archives: Movie Reviews
Transmorphers (2007)
A zebra can’t change its stripes, and in spite of the rumblings from the movie world, the Asylum will not stop making rip offs of bigger movies, because money talks and it also has no dignity or artistic merit. So, I’ve come to terms with the Asylum’s ridiculous practices, and set my sights on bigger fish with more importance in the film world, than some company making low budget rehashes with similar titles. “Transmorphers” was a pathetic concept the first I heard of it, because—well, look at the title. What robot movie does the title hearken to? Regardless, I approached this new effort with optimism because the cover art is just great; whoever works at the art department should be commended for constantly adding appeal to the turds the studio trots out to stores, and hell, the cover for “Transmorphers” is just beautiful.
Girl, Positive (2007)
Don’t have unprotected sex. Many people say it, a lot of officials warn against it, but not many people practice it. “Girl, Positive” is another PSA from the Lifetime Network that explores a young girl who simply didn’t practice safe sex and suffered the consequences. There are really a lot of factors that could attribute to her contracting HIV, but the writer never pinpoints the actual source; that our character Rachel is just as dumb as a bag of rocks. But “Girl, Positive” in its ways to increase tension and avoid the inevitable revelation, really just treads water until we finally get to the meat and bones of the film.
Dead@17 (2007)
Based on the comic book by Josh Howard, Mark Steensland’s adaptation of “Dead@17” is a great short that really registered, even if I’ve never read the comic before. I know, it’s a shocker considering I try to grab every horror comic out there, but “Dead@17” is a series I’ve heard about in passing, but never actively sought it out. And thanks to Steensland, that’s all about to change. Steensland depicts a rather interesting world on film, with a short that signals the start of something much bigger afoot.
Waiting… (2005)
In the end, “Waiting” is yet another “Clerks” rehash, but alas, it’s a rehash that works. And why? Mainly it’s because it manages to cast the talents of folks who can actually handle comedy; Luis Guzman, Ryan Reynolds, Justin Long, Anna Faris, the list goes on. Suffice it to say, the cast is an all-star cavalcade of comedy actors, save for the likes of Andy Milonakis. “Waiting” is also supposedly a film that perfectly captures what it’s like to be a waiter or work in the restaurant industry, and goes behind the more disgusting facts of working in a restaurant, including the restlessness of its workers to keep from going insane. “Waiting” may not be a comedy classic, but for what it is, it made me laugh quite often.
Night at the Museum (2006)
Ben Stiller’s career can almost be paralleled with Eddie Murphy’s. Both started out providing original and edgy comedy, and were almost under-appreciated in their ways. Both finally debuted in film starting off once again providing us with a refreshing look at the comedy genre, and both have completely revamped their image starring in nothing but rehashed really bad movies, that are now leading into family films. It was really only a matter of time for Stiller. The man’s career, beyond “The Ben Stiller Show,” has been mostly abysmal. “Night at the Museum” is not the worst film out there for family entertainment, but damn, it sure is mediocre. There’s barely a single laugh in the entirety, and what chuckles do arise, come from the British nationality.
Street Thief (2006)
In the tradition of films like “Man Bite Dog,” and “Behind the Mask: The Rise of Leslie Vernon,” Malik Bader is a film that constantly has you questioning what’s reality and what’s fantasy. Is this all one big ruse? Are the filmmakers putting us on from minute one? Or is this an actual thief we’re watching? Most of all, does this make the film worth watching if we can never be sure one way or the other? “Street Thief” is one of the many films in the modern era that’s demonstrated the audience’s ability to become voyeurs. As a mass that constantly feel we have to watch people at their worst and most embarrassing, films like “Street Thief” will challenge the audience and keep us guessing.