I just wasn’t a fan of “House on Haunted Hill.” William Castle’s utter masterpiece was turned into a Nine Inch Nails video with rapid fire editing, goofy atmosphere, CGI overload, and terrible acting even from Geoffrey Rush. “Return to House on Haunted Hill” was something I really wanted to give a chance. Thankfully, this is not a sequel in name only. This new installment takes place shortly after the ending of the first film where Sara’s (Ali Larter) sister Ariel discovers she’s killed herself after a mental breakdown, and learns of the house where Stephen Price held his party and allegedly went on a murder spree. Cue plot catalyst. Ariel discovers by a professor that there’s an ancient statue of a satanic cult somewhere in the hill house and he wants it. Lo and behold we have a rival group of relic hunters who also want it and will kill anyone for it.
Category Archives: Movie Reviews
Wrong Turn 2: Dead End (2007)
Hell, I liked “Wrong Turn.” It was, by my book, an underrated and sadly obscure little horror flick that really deserved to be looked at from a different perspective. Yes, I bitch about movies being recycled, and cliché, and awfully rehashed, but when it’s done with enough entertainment value as “Wrong Turn” was, I can be forgiving. “Wrong Turn” has been done before and better, but that doesn’t mean it’s not a blast. Suffice it to say, I was excited for “Dead End.” Would it be a direct take off from the original, or would it be a name only sequel? Is “Dead End” the original title before Lion’s Gate slapped on “Wrong Turn 2”? That was the only horrific element of this viewing experience: the anticipation and the guessing. The only truly good thing to look forward to was the presence of Henry Rollins.
KillerKiller (2007)
Karma is a bitch and many times the manifestation of payback can provide some truly blood drenched results. “KillerKiller” is not a horror film that started off on the right foot with me. The audio was pretty crummy and the story began like a typical slasher film, but as the story progressed, “KillerKiller” won me over. Not only is it a great little horror film, it’s a great survival film, and a very good branch off the “strangers in a house” sub-genre tree that soon becomes a fascinating glimpse at predator and prey formulas. In Higgins’ slasher mystery, the victim is the murderer and soon the killers will make for the body count. A horror movie of this gamut with such a low budget would usually fall flat on its head, but thankfully it doesn’t.
Knocked Up (Unrated Widescreen Edition) (DVD) (2007)
I love Seth Rogen, I’ve loved Seth Rogen since the days of “Freaks and Geeks” when he was the often difficult supporting character Ken, who popped wisecracks, I loved Seth Rogen when he was in “Undeclared” as almost the same character, and now he’s finally leading a film that’s a much deserved turn the man. “Freaks and Geeks” fans know the man can headline a movie and Apatow proves that. As the character Ben, he’s probably one of the many complex characters that Apatow has such a talent for concocting.
Spider Baby or, The Maddest Story Ever Told: Director's Cut (1968) (DVD)
“Spider-Baby” is without a doubt one of the oddest cannibal movies I’ve ever come across. And it’s not because it’s old, but because the cannibalism ends up becoming much more implied than explored in the end. There isn’t exactly anyone eating other folks here, but there are often the signs. Young Virginia collects ears, and eats bugs, while Elizabeth attempts to guilt her into her natural urges, even though she’s experiencing the same cravings to give in.
After (2006)
The apocalypse. I love it. I love everything about it, I love the potential for story and human study is presents, I love the whole idea of society crumbling under the threat of some force, and I revel in writing about it. “After” is yet another take on a zombie apocalypse, except this time… it’s through the eyes of a zombie. After a presumably horribly bloody death, three survivors, held up in a large house, draw their attention elsewhere as their father lays in the next room slowly dying. Through his eyes, we watch his last sights as his children run back and forth planning an escape from the zombies outside. He then emerges and begins wandering the house, with his children struggling to fend him off without killing him.
Hobo with a Shotgun (2007)
Now living as an online cult gem, “Hobo with a Shotgun” has an interesting history. Around the time the craze for the Tarantino-Rodriguez “Grindhouse” rolled around, there was a lot of excitement. Fake trailers, the Grindhouse feel, and two big movies, and then they offered young filmmakers at SXSW a chance to create their own fake trailer to be featured during the actual movie. “Hobo with a Shotgun” won out. Granted, it only was featured in a few theatrical showings across the US, it was praised as one of the few entries to capture that truly trashy atmosphere that made Grindhouse so much fun. And shockingly, Eisener captures the time much better than Rob Zombie’s trailer did.