Elias goes for the good old trick of cinema. When all else fails, throw in a hot chick or two. And man, are there ever good looking women here. Gillian MacGregor is one who will burn herself into your brain in “Witch’s Spring” as a rather sexy witch seducing a man, and then there’s Nicky Ladanowski in “Bug boy” a fleeting and rather horrific little skit involving a man’s rage manifesting itself into a monster. Elias’ talent shows, and when he tackles the horror element, he really pulls through in a gritty disturbing manner. Take for the example the weird “RePenetrator” which is surprisingly funny and inappropriately erotic, in which the Dr. West re-animates a body so hot he has to engage in rough sex with it before it turns on him.
It’s almost like watching teenagers act out “The Deep” on a student theater stage somewhere, because in the end, “Kraken” is basically just that. It’s a very low rent and C grade variation of “The Deep,” minus the compelling story, and wonderful characterization. And oh yes, there’s the small case of the acting and lack thereof. This low rent thief stars two people whom will garner two reactions from you. One will be “Who?” while the other will be “O-h-h-h-h-h… who?” Victoria Pratt, or as I call her “The hot chick from the crappy X-men show,” stars in “Kraken” as a marine biologist looking for an underwater treasure. Stop me, if you’ve heard this one.
