Why "The Dark Knight" is Harvey Dent's Story

Warning: In the following article, we give away large plot twists, and massive spoilers to “The Dark Knight.” Please be wise in displaying caution.

What I’m going to say isn’t an exactly fresh new series of comments, but I think it elicits declarations again and again. As an avid comic book fan I’ve never found anything to enjoy about Batman. He’s a whiny, morose, boring character without any charm to him. But after watching “Batman Begins” and then “The Dark Knight,” it’s safe to say I was kind of wrong. I mean, “The Dark Knight” is without a doubt one of the greatest comic book movies ever made and will likely make many top 10 lists (including my own) once December rolls along. Everything Nolan and his brother have birthed with “The Dark Knight” sparks many allusions to the likes of masterpieces like “LA Confidential” and “Touch of Evil” with wonderful undertones of human cruelty, government corruption, and how easy society can crumble under the threat of a madman.

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Movies That Age Poorly: Tim Burton's Batman (1989)

Felix Vasquez digs deep in to the library of titles from his childhood to explore the movies he once adored that have showed their age significantly and are now movies he consciously avoids. As capsules of their decade, their overall messages, and their critical standings, he explains why they’re movies that have aged poorly.

01TIM BURTON’S BATMAN (1989)
Directed by Tim Burton
Written by Sam Hamm, Warren Skaaren

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LEGO Indiana Jones: The Original Adventures (Nintendo DS)

Why even review a video game? Well, we’re such big fans of “Indiana Jones” and currently can’t put down the game based on the original three movies. So, without further ado, a review of the Nintendo DS version…

If you think this game is just for kids, then you’re freaking mistaken, pal. While it is rated E for everyone, there’s really nothing simplistic about this video game. It’s a complicated, irritating, and awfully long game that I am currently having a blast playing. I honestly can’t stop. And while completing “Raiders of the Lost Ark,” “Temple of Doom,” and “The Last Crusade” would take at least three days, if you played non-stop, finding the tricks, secrets, hidden gems, and strategy will force you to replay all three at least three times. The keyword here is three, folks.

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I Sold My Soul for an I-Pod!

The movies on the Sci Fi Channel suck hard; everyone knows that.

From sea to shining sea, it’s become common knowledge these days that about eighty percent of what’s shown on the Sci Fi Channel is likely to be utterly unwatchable, while the rest of it is just mediocre nonsense that not even the geekiest fan boys bother with. And I refer to the early films only.

Their showings of their “original” films that they tag as Sci Fi products are all retreaded rehashed TV movie of the week schlock, too stupid for NBC or ABC. They all rely on formulas of a consistent routine of giant monsters, killer bugs, undersea creatures, faux-action features, superheroes, disaster pictures revolving around a natural occurrence or the apocalypse, and bargain basement fantasy with CGI that was old hat in 1998.

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Comparing “Shall We Dansu" and "Shall We Dance?": The Superior and the Inferior

I admit I’ve never seen either films, but I watched both one after the other leaving bias’ aside and judged them as separate entities while comparing them to see which one was better. Contradictory, sure, but shut up. Either way, both films are different in terms of their content. While “Shall we Dansu?” is a risqué film in Japan seeing as how human affection isn’t as casual or normal as anywhere else it, “Shall we Dance?” Is normal to the point of being bland. In the country where we watch people having sex on-screen, watching two people dance is nothing worth scoffing at. But in many films in Japan, characters fall in love without ever really kissing, so “Shall we Dansu?” ended up becoming the more original, and layered film.

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Brokeback Conspiracy?

brokeback-mountain[1]Did you see the Oscars?

Most people who did said it was possibly the most boring presentation in years. That seems to be the consensus, but many people can also agree it’s been the most controversial airing of all time.

On March 5th, After a four hour ceremony, and many mixed reviews, audiences shared a worldwide gasp of shock and horror as the announcer declared “And the Oscar goes to: Crash”. I personally was also rather shocked (not horrified) as “Brokeback” was expected to sweep the Oscars, and yet only really won for technical awards.

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Comparing "The Haunting" 1963 and 1999: The Superior and the Inferior

There’s that old term that sometimes less is more. Filmmakers subscribe to that theory–well some filmmakers, I mean Michael Bay never met a special effect he didn’t like, and of course there’s porn, but back in the golden age, less was more. With the flick of an eyebrow Greta Garbo made men swoon, with the revealing seductive smile and the flash of a shoulder Rita Hayworth made men literally shiver in their seats. Back then, less was more, and more times than none, back in the golden age of film, many filmmakers thought that less was more. I’m for that theory that sometimes our imagination can do more than an actual picture can do, because nothing can match our own sick imaginations. These days in horror films it’s hard to find a film that subscribes to that theory, let alone be able to exercise it and pull it off.

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