Breaking Well: Why Walter White is Better Than Dexter

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Breaking Bad is the best television show of the 21st century (so far). It managed to offer week after week of not only compelling stories, but enough symbolism and alternate character interpretations to keep even the most snobby English-Lit major interested, while distracting less intellectually focused viewers with instances of “bad ass” behavior.

Vince Gilligan used to write for The X-Files (in fact, Bryan Cranston appeared in the episode directly before the first episode Gilligan wrote) a show I haven’t watched regularly since the nineties, but proves to me that he has a lot of talent. He knows how to tell a good story, obviously. His real genius with Breaking Bad is in how he draws characters, especially television characters. On TV, people don’t really change. There is an illusion of change, but very little actually occurs.

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Fallout (2011)

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I’m not entirely sure what “Fall Out” was aiming for from minute one. All I know is that director Derek Dubois keeps the audience in the dark, providing a narrative that’s about eighty percent ambiguous. And I was okay with that. If you can’t really offer a larger exploration of the world you’ve built, especially considering when it’s set during the apocalypse, the best thing to do is focus on getting us to know the characters in this situation, and director Dubois accomplishes that in spades.

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The PC Thug: “Game of Thrones” Renewed my Faith in the Fantasy Realm

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People often ask me why I took so long to watch “Game of Thrones,” and it’s pretty simple, really. For one thing, at the time, “The Walking Dead” had premiered, and my attention was completely on its season runs, and number two: I just didn’t want to invest time in it until I understood what it was about. In the past I’d invested time in period series based on source material, and came up with no real rewards for my investment. I spent many years watching “Deadwood” only for HBO to give it the shaft and never deliver the finishing movie that we deserved. “Carnivale” bored me to tears, and despite my best efforts to dig in to the world unfolding, “The Tudors” was just a tedious droning drama that offered nothing in return. I gave up after the second season, and I never tuned in to “The Borgias.”

It’ll be a cold day in hell before I watch a period show on Showtime ever again. No thank you.

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The Hobbit: The Desolation of Smaug (2013) (Blu-ray/DVD/Digital HD UltraViolet)

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It dawned upon me watching the opening of “The Desolation of Smaug”: Did we really need the first movie? The entirety of the first film is so based on propping up storylines that “The Desolation of Smaug” wastes no time and drops in to the action. We could have just featured thirty minutes establishing the journey and cut to the opening scene. In “The Desolation of Smaug,” the writers provide a prologue where Gandalf meets Thorin in a pub and asks him to lead the journey. They proclaim they need a “burglar,” and cut to Bilbo Baggins in action. So, what was the point of the first movie? The opening shot of Bilbo hiding in the rocks with his allies speaks sounds more than the entire director’s cut of “An Unexpected Journey” could.

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Our Top Five Fantasy Films of the 80’s

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Let’s face it, the eighties were a grand time for the fantasy genre. Surely, comedy and horror had their days, but fantasy is what I mostly remember. As a kid my parents kept me from watching the more hardcore horror films until I was old enough to handle them, so most of the time I retreated to fantasy. They had distant lands, monsters, demons, and ghosts just the same. And often they were as violent as horror films were. My time spent watching movies were mainly spent with films from the 1980’s, and it’s no surprise that most of my fantasy favorites are from that fun decade. Here are five of my favorite fantasy films of the 80’s. And no, they haven’t aged a bit.

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Corman’s World: Exploits of a Hollywood Rebel (2011)

Roger Corman’s contributions have been unmatched by most Hollywood directors, and sadly he’s become a mostly unappreciated presence in filmmaking. As viewed in “Corman’s World,” Roger Corman is one of the most ambitious but very money conscious filmmakers that’s managed to build an entire legacy out of creating entertainment on low budgets, while discovering some of the best filmmakers of all time. From giving Martin Scorsese and Peter Bogdonavich their breaks, to teaching Ron Howard how to direct around limited resources, Roger Corman has been a wizard of giving studios what they want, and doing it his way.

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Different Drum (2014)

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I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.

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