I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.
Director Jason Shurkey’s “The Witch” is light on story and narrative, but it’s a good student film, nevertheless. It garners some really tight editing and an atmosphere that make it a Gothic short horror film that’s very much worth experimenting with. Director Shurkey really knows how to develop a tone from the outset, and follows through with a surreal horror film.
Director Lloyd Kaufman leaves no stone unturned with his return to Tromaville, as he revives his iconic “Nuke Em High” series, except for a modern age. Though it’s teeming with eighties flavor, including mutant punks that delight in mutilating unfortunate victims, Kaufman has a blast destroying most of society’s quirks and obnoxious qualities, including veganism, the obsession over social media, and how political movements are about being trendy and not actually caring. Despite many years to polish their films, and hone their craft, the return to Nuke ‘Em High is still an ugly and offensive film, but damned funny to boot.
Clif Prowse and Derek Lee’s “Afflicted” is a mix of “Innocent Blood,” and Cronenberg’s “The Fly,” with a hefty injection of “Chronicle.” It’s rife with cliches, predictable plot twists, and is about ten minutes too long. But in spite of all of that, I’d definitely suggest “Afflicted” to horror fans. Because while it’s retreaded horror fodder, it’s well directed, tightly edited, and solidly performed horror fodder to say the least. I knew what was coming, but I was also very much invested in the characters. I also really enjoyed the special effects.
Director Michael Davis’ “Beanstalk” has a lot of balls in the air. It wants to squeeze in so many ideas and sub-plots and can never find a proper way to bring them all in to one coherent kids film. There’s a boy named Jack who lives with his mother and discovers large beans that form a humongous beanstalk. Meanwhile, Jack’s mom is going to lose her house, prompting Jack and his mom to go homeless. Meanwhile, there’s a nutty doctor (Margot Kidder is barely recognizable) who believes the mother goose tales to be real, and is preparing to climb the beanstalk, while an evil land developer is planning to knock down the beanstalk, steal Jack’s house, and develop land over the his neighborhood. That’s a lot story, for a movie barely eighty minutes in length!
I was glad to see the documentary “The Image Revolution.” Seriously, if you grew up during the nineties, you’ll fondly remember how Image dominated pop culture for a while. They were so popular even Marvel and DC began imitating them, even though Image primarily trotted out Marvel clones when they ran out of ideas. Which is not a statement meant to devalue their influence or impact, but come on.
Even in Mexico, opportunities are always there if you look hard enough. Director Chuy Sánchez apparently based his short film “Bienvenida” on real events, and though the film lacks a resolution, it has an interesting message about opportunity and chances. Elizabeth Valdez is very good as the young woman who ventures in to Mexico looking for a new life, and finds it is more difficult than she ever imagined.