Captain America (1979)

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Oh Reb Brown, where would cinema be without you? Without Brown, we wouldn’t have had the 1979 Television movie “Captain America,” a movie so inept, it can’t even mimic Evel Knievel well. Brown is Steve Rogers for some reason, who came back from the war, and now drives around in a very kick ass van that also sports his favorite motorcycle. He’s a an ex-Marine/surfer/artist/motorcycle racer who also happens to be involved with a scientist developing a new formula for super strength (with the acronym F.L.A.G.), so while he’s helping develop a potentially groundbreaking formula for humanity, he is constantly moping around about the war and his lack of money. The sad fact is that the serum can only work for the Rogers blood line. Why? Because it’s a Captain America movie.

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Fargo (1996)

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Leave it to the Coen Brothers to provide movie audiences with a crime heroine that we’d never really see coming at some of the worst criminals around. Marge Gunderson is not your typical gumshoe and probably never really desired to be one growing up. She’s a small town simple woman who is about to give birth to a baby, and only really works until she is able to head off to the hospital. But things go from mundane to extraordinary when what seems like a random series of homicides on a snowy road side turns in to a very disastrous plot to extort and embezzle money out of a car dealership.

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Doc of the Dead (2014)

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Whether you love or hate George Romero and his films, there’s no denying that without his zombie movies there wouldn’t be the zombie culture we know today. Surely we might have two or three zombie movies concerning the sleepy servants of voodoo masters, but we wouldn’t have the flesh eating hordes that are currently consuming pop culture and the world as we know it. There’s also a very good interview where filmmaker Alex Cox notes that were it not for “Night of the Living Dead” becoming public domain, there likely would not have been inspiration for filmmakers to offer their own zombie entertainment for horror fans.

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The Top Ten Most Shocking Moments of “The Walking Dead” Season Four

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Another season of “The Walking Dead” has come and gone. Massive headlines, massive ratings, and the phenomenon keeps chugging along. With season four split in to three very brutal and effective story arcs, we break down the fourth year of the series, and explore ten of our most shocking moments of “The Walking Dead,” season four.

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The Dick Van Dyke Show: Classic Mary Tyler Moore Episodes (DVD)

In anticipation of the release of “The Dick Van Dyke Show: Classic Mary Tyler Moore Episodes” on DVD and Blu-Ray from Image Entertainment. In Stores today! Dick Van Dyke’s series is back with the complete third season of his iconic series. Van Dyke is as funny as ever, playing Rob Petrie, an average suburban dad who lives with his independent and fierce wife Laura, and their young son Richie. During the day, he works as a comedy writer for “The Alan Brady Show,” the most popular sketch comedy show on television. He doles out comedy and scripts for the celebrity with his writing staff and best friends, Buddy and Sally, two sarcastic and hilarious sidekicks with their own quirks that make Rob’s life difficult but fun.

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The Walking Dead Season Four, Episode Sixteen: A

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Is there such a thing as civility in the land of the dead? Will there ever be such a thing as civility and kindness and consideration? Do you really have to become a savage and evade all sense of morality to survive? Was Shane right? Was Shane prophetic? Would Shane have become Rick’s mentor in the apocalypse, eventually? One thing I loved about “A” beyond answering all questions, while still keeping us in the dark is that Rick finally comes to fruition as his comic book counterpart. One thing about Rick that’s always rung true in the comics is that Rick knows he’s a warrior, he knows he can survive if he thinks on his feet. What we see at the final scene of “A,” is that Rick finally knows the type of man he is. He knows he’s a warrior and he shalt not be fucked with. Most of all, don’t ever lay a hand on Carl.

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Last of the Living (2009)

What’s worse than a bad zombie movie? A bad zombie where the zombies are painfully easy to kill. How can you be terrified of zombies that can be killed by drum sticks and golf clubs? It’s also a lot of fun when the director can’t seem to decide if his zombies are shamblers or runners. Sometimes they run, sometimes they shamble around in a sleepy haze. Sometimes they bite relentlessly, but when lunging at our characters, they’re easier to fight than a toddler with a full diaper. Which is a shame, because nine times out of ten, the zombies look creepy as all hell, while director Logan McMillan manages to paint a pretty atmospheric apocalypse. For the first fifteen minutes, at least.

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