Director Adam Evans pulls together a very entertaining and informative documentary on a subject long overdue for a documentary: Gaming tournaments. There have been many documentaries about gaming in general, but very few have tackled the inherent emotion and intense training that go behind tournaments. Not to mention there’s almost nothing about the dynamics of team gaming. Director Adam Evans explores that facet that is shockingly compelling, and helps identify gaming as something more than a hobby. Especially with $100,000 dollars on the line for the winning teams.
Vanessa Del Rio: Fifty Years of Slightly Slutty Behavior (2007)
Vanessa Del Rio has slept with a lot of guys. And girls. And she was a prostitute. And you know what? She’s not ashamed of her past. Not a single bit. You have to admire her for that.
And to top it off, she’s not vehemently opposed to sleeping with you if it tickles her fancy either. That’s the general point of “Fifty Years of Slightly Slutty Behavior,” the notion that Vanessa Del Rio has slept with a lot of men and is not ashamed to admit that she’s loved every minute of it. While most porn stars in her age have all but renounced their pasts and forgotten their roots, she’s still the ravishingly down to Earth porn vixen who remembers every fuck and is not afraid to mention in detail most of her escapades.
Barbarella (1968)
Jane Fonda is at her sheer sexiest starring in this psychedelic science fiction flick based on the comic book, as Barbarella an astronaut from Earth who is sent to Sogo to look for the missing scientist Durand Durand. From the opening scenes where Barbarella is floating undressing from her space suit during craftily placed title sequences, you know you’re in for something out of this world. Let the innuendos and softcore porn fly! Watch Jane Fonda flirt, watch Jane Fonda strip, watch Jane Fonda be raped by a music machine as Durand Durand strums it along.
Who Can Kill a Child? (Quin puede matar a un nio?) (1976)
In the sub-genre of killer children films, “Who Can Kill a Child?” is the best I’ve ever seen. Sure, many people will choose “Village of the Damned” but for my money, it doesn’t equal the grit and grim atmosphere of director Narciso Ibáñez Serrador’s horror film. Not by a long shot. “Who Can Kill a Child?” experienced a lot of censorship and banning upon its initial release, because it’s a film that doesn’t flinch from its premise.
The Shadow (1994)
You can almost see where Alec Baldwin would have been a wonderful Bruce Wayne and Batman at some point in his career. Early in his life, Baldwin was heavily considered for the part of Bruce Wayne and Batman in the first cinematic incarnation of the Dark Knight. Back then Baldwin was thing, dark, had a sense of mystery to him, and garnered a raspy gravelly voice that made him sound mystifying. Unlike Batman, The Shadow operates on an entirely different code of ethics and crime fighting, and is never above using his two trademark hand guns to instill justice on the slime of the city.
Eden Lake (2008)
Director James Watkins survival thriller is one part mediocre social commentary, two parts solid thriller, and one part moronic drama. “Eden Lake” seems to want to be it all, offering characters that simply can’t let their confrontation with rowdy teens go, all the while hinting at the complexities of dysfunctional violent home and how they breed violence within their confines. But much of that is destroyed when Watkins seeks to turn his juvenile villains in to scowling black and white monsters motivated on violence and violence only. There aren’t any shades of grey to them until the very end, and by then the movie has become so ludicrous it’s hard to soak in the thoughts on the vicious cycle of violence.
Stamp Day for Superman (1954)
Countdown to “Man of Steel”!
Superman is a government good guy. He’s so much so, that when he catches a criminal he lectures him on the value of saving money, and investing in government stamps. A public domain short Superman adventure, Noel Neill, and George Reeves star in this Superman adventure where we not only learn about Lois’ brilliance, but the foresight in saving money by buying stamps.