Oh, leapin’ Irish stereotypes! “Leapin Leprechauns!” from Charles Band studio Moon Beam is not the worst movie I’ve ever seen, but it’s probably the most baffling I’ve seen in a good while. The film takes literally a half hour to get the actual plot in motion, and we spend about twenty long minutes on a leprechaun council meeting where the leprechauns and fairies argue and bicker non-stop. As for a villain of the piece, we don’t meet the evil menace until there’s only ten minutes left in the actual movie. I couldn’t understand why the villain was introduced before the credits actually began, but the writers fails to muster up an interesting bad guy.
Red Dawn (1984)

Director John Milius’s 1984 war action film “Red Dawn” is probably one of the best guilty pleasures the eighties ever doled out for audiences. It’s certainly one of my childhood favorites, a film I recall re-watching time and time again and cheering on the likes of Charlie Sheen and Patrick Swayze. The film as a whole is absurd and incredibly silly, with everything in the film being drawn as inexplicably convenient for the good guys, and incredibly bad for the bad guys. Trained mercenaries can’t possibly outwit and outgun a bunch of high school students whose only training is hunting in the woods? Seriously?
Red Dawn (2012)

The tale of “Red Dawn” was always nothing but a Reagan era fantasy film to begin with, so the remake of the 1984 action film wasn’t going to be looked upon as anything but fiction pure and simple. It’s a shame that director Dan Bradley’s remake of “Red Dawn” was shelved for a very long time. All things considered, while it does have its inherent flaws, it proves to be much better than the original. The element that Director Bradley improves upon is turning the Wolverines less in to overnight commandoes, and more in to human beings fighting for a cause that may spell doom for them if they’re not careful. And it does this by turning the conflict over on its head and turning the Wolverines in to a terrorist group that is operating underground.
Street Sharks – The Complete Series (DVD)
It just goes to show that just because something is cool on paper, it doesn’t mean it’ll be scooped up by children. By 1994, pretty much every studio were looking for their own “Teenage Mutant Ninja Turtles” take off that could grant them instant success. Since the eighties and most of the nineties belonged ot the heroes in a halfshell, most of the animated studios looked for their own spin on the formula. There were at least dozen clones of the Ninja Turtles once the Ninja Turtles took off. One of them was “Street Sharks.”
Bobby Deerfield/ Baby, The Rain Must Fall/The Chase/Ship of Fools – 4 Movie Collections (DVD)
Mill Creek Entertainment offers drama fans four very acclaimed and intresting dramatic features for folks looking to save money. Sydney Pollack directs the 1977 film “Bobby Deerfield,” a film starring Al Pacino as a race car driver who finds himself falling for a mysterious and terminally ill young woman. Through the woman’s final days alive does Pacino’s daredevil character learn more about life. There’s also the 1965 “Baby, The Rain Must Fall” directed by Robert Mulligan starring theg reat Steve NcQuen. McQueen plays Henry Thomas, a young man who loves to sing in his band and is pressured by his mother to go back to school and get his educaiton.
When Thomas’ Wife and daughter come back in to town looking for a home, Thomas gets a new sense of priority. Though McQueen is far fetched as a rockabilly singer in a band, he has a good chemistry with co-star Lee Remick. Marlon Brando stars in the 1966 Arthur Penn directed “The Chase.” In it, Brando a sheriff named Calder known for being something of a puppet who finds a new mission when a local begins having an affair with a gangster Charlie “Bubber” Reeves’ wife.
The Earth Rejects Him (2011)
Director Jared Skolnick’s “The Earth Rejects Him” is one of the most surreal horror films I’ve seen in a very long time. It’s not often I can watch a movie with a baffled expression and still recommend it as a great film. Not many indie directors know how to direct child actors, and director Skolnick brings out the best in his young cast. Ellis Gage gives a very memorable performance as this young boy who finds himself in an extraordinary predicament and has no idea how to handle it without becoming homicidal.
Grease 2 (1982)
When I was a kid one of my favorite movies on constant rotation was “Grease.” It’s still one of the most entertaining movies I’ve ever seen, and downright spectacular adaptation of one of the most interesting stage musicals ever introduced to audiences. Upon discovering there was a “Grease 2,” I was ecstatic. Another chapter to one of the most bad ass movies ever made? It’s too good to be true. It was during the middle of the opening number to “Grease 2” that my excitement dropped down to an immediate disappointment and I struggled through what is easily one of the cheapest and worst sequels ever devised.

