Superman/Shazam: The Return of Black Adam (DVD)

Here’s what I assumed happened with the release of “The Return of Black Adam”: DC and Warner Bros. didn’t have enough creative material to turn the reunion of Superman and Shazam! in to a feature length film, and in spite of Shazam! playing a supporting role, Superman is much too iconic to be used as simple filler before a big animated feature from DC home video, so what they did was take the half hour movie featuring Superman and Shazam! and, knowing no sensible fan would spend twenty bucks on a half hour movie, filled the DVD with other short animated films starring DC third tier characters that were featured on prior DVD Releases. Deep down this feels like DC Comics testing the waters for a Captain Marvel animated movie, gauging public interest and we’re paying them to be a focus group.

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Between the Blinds (2010)

btbSpeaking as an author who is constantly thinking up new ideas for novels, injecting his own sentiments in to the psyches of his characters, and has known what a struggle it can be to muster up an idea for a new story at the demand of an editor or a publisher, I found “Between the Blinds” not only a testament to the fragility and beauty of human emotions but to the power of the creative process and how absolutely tumultuous it can be. For any self-respecting writer, they will be able to relate completely with our protagonist, a writer who is given only a few hours to complete a new manuscripts and angrily struggles to concoct a new idea.

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Superman: Earth One

“Superman: Earth One” verifies exactly what I’d feared. Superman is emo. Superman is selfish. Superman is “edgy,” and worst of all by the time the tedious graphic novel is over, we’re told by Jonathan Kent that Superman should serve a being higher than himself alluding to religious ideals. What a waste of time. Not since “Smallville” have I seen a less sympathetic portrayal of Superman and Clark Kent before my very eyes. Clark Kent, even with modern fashion, and a jacket and hoodie that’s meant to be his signature look indicating a nerdy but sexy persona, is so absolutely boring and one dimensional in “Earth One” that had I been introduced to Superman for the first time here, I would have never read another piece of fiction with this character ever again.

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Secret Origin: The Story of DC Comics (2010)

secretorigintrailerThe purpose of “Secret Origins” is two fold. What with DC Comics finally putting their characters on the fast track to big budget films in the box office, this ninety minute documentary is meant to school new audiences that might be interested in learning about characters they’re only vaguely familiar with. If you’ll notice, the only characters spotlighted in this documentary are those that have had movies in theaters or have big budget movies coming to them, thus we get to explore Superman, Batman, Wonder Woman, The Watchmen and The Flash, all the while this is meant as a promotional tool for the magic and wonder that is DC Comics. The documentary is really just a recounting of the creations of classic iconic superheroes from their company and there’s never really an exploration in to the darker side of the company.

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Scott Pilgrim vs. The World (2010)

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“Scott, if your life had a face, I’d punch it.” – Kim Pine

The stellar Edgar Wright has finally made it to the American shores by way of a cult series of graphic novels and in typical Wright-fashion, he’s not prone to just making any movie that would appeal to an audience of the PG-13 sector. “Scott Pilgrim vs. The World” is self aware. It’s so self-aware it’s aware that it’s self-aware and makes its audience aware of its self-awareness by reminding us of its self-awareness with an often self-aware sense of humor that very few will get. Leave it up to Wright to make a broad mainstream teen film that will only appeal to a cult audience as “Scott Pilgrim vs. The World” is basically about the modern generation. It’s pure unadulterated pop culture overload with ideals that are simplified and set to the tune of classic video games.

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Serenity: The Shepherd's Tale

serenitysheptaleShepherd Book is one of the greatest male characters of the Whedonverse, one who is bound by his strict sense of morality and religious beliefs, but one who isn’t at all overbearing. He uses his religion as an instrument to help and guide folks, he never uses it as a means of clubbing non-believers over the head. When we see him in the first episode of “Firefly” he meets a band of wicked sinners and criminals, but he never judges. He lives and lets live and that’s likely why he’s become such a beloved fixture of the “Firefly” universe for such a long time. He’s not only the heart of the crew, but he’s also the wise father everyone on the ship needs. By the time we reach “Serenity” and the crew are on their last options against the operative, even Mal has realized that Book is the man he needs in times of great stress who can offer wisdom, knowledge, and strategy where everyone clearly lacks it.

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The Red Hours (2009)

Invoking much of the grindhouse elements, director John Fallon’s experimental short thriller is something of a royal mind fuck, one that excels in being about surreal as it possibly can while squeezing in nods to some classic films during the duration of its story. Director Fallon goes against the conventions of formula storytelling with “The Red Hours” a movie constantly blurring the realms of fantasy and reality when a club goer on a night out takes some hallucinogens to spite an ex he sees across the club canoodling with a girlfriend of hers.

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