Oh boy I knew I was in for something special when I received “Driller” in the mail with the address barely completed and the return address basically missing. The very fact X Rated Alley received this beauty of a horror porno called Driller is one thing, but to deliver it in mysterious packaging is the icing on the cake. I had an idea of what I getting in to upon looking at the deluxe packaging for Mr. Creepo’s “Driller” from 1984, a veritable porno spoof (and carefully constructed one at that so as to prevent legal issues) of Michael Jackson’s iconic Thriller. For those unaware (and how could you not be?), Thriller was a cultural sensation of the eighties and continues to be the go to for the template for epic music videos to this day. The plot basically boils down to a thirty minute movie that doubles as an amazing music video with a catchy song. A young couple in a movie theater walk home one night and find themselves in the middle of a zombie apocalypse and must fight their way out. Cue one of the most amazing musical numbers of all time, a shockingly incredible dance number involving drooling groaning zombies, and compelling narration from Vincent Price.
With “Scream 2” you can pretty much sense Craven and writer Williamson struggling to create a sense of atmosphere that they did with the original. And the movie series that claims to dodge the slasher clichés while also mocking them, eventually became so clustered with attempts to bring audiences a new experience they pretty much relied on clichés and a formula they streamlined in the original. We have someone offed in the beginning, we introduce the old cast, we get to meet a new cast of characters, someone is killing the cast members, Sydney has to find out who or whom is doing the killings, a load of red herrings are thrown at the audience, there’s the obligatory thought that perhaps one of the original three cast members are behind it, and then there is the grand stand off in the climax where we’re given a bunch of “gotchas!” Officers and all authorities are also immensely useless.
In the past three years there has been a boom in versus films. And that’s primarily attributed to the boom of the direct to DVD industry that relies solely on gimmicks and plagiarism to fuel its economy and one of the primary cash cows of the market is the versus gimmick. We’ve seen every monster fight every warrior this side of folklore and what we see with “Battle Los Angeles” is pretty much soldiers versus aliens. In fact with less money and star power, Jonathan Liebesman’s film could very well have been titled “Aliens vs. Soldiers,” a roughneck balls to the wall action science fiction film that just doesn’t try too hard to bring us in close to its characters.