I guess it was only a matter of time for “Blood: The Last Vampire” to be turned in to an honest to goodness big budget movie. I mean the original short film by Hiroyuki Kitakubo has become somewhat of a cult classic in spite of its short running time and brings to the table some of the best animation I’ve ever seen in a horror oriented anime I’ve ever seen. The original take focused on a vampire hunter who had to infiltrate a girls school to stop vampires hiding among the ranks of students and teachers. You’ll find that the 2009 live action version by Chris Nahon isn’t much of a departure. In fact there are times where the movie duplicates scenes from the anime shot for shot which ends up becoming a mixed bag in the end.
Gothkill (2009) (DVD)
So far I’ve enjoyed the output Wild Eye Releasing has dropped on movie lovers laps. “Blitzkrieg” was a fun and salivating homage to Naziploitation from the grindhouse era and now we have “Gothkill,” another neo-grindhouse bonanza that recalls the satanic thrillers of the seventies with its tongue firmly planted in cheek. At a merciful hour and nine minutes long, Connelly’s satanic horror comedy seems to be here only to present us with the finest and most unique satanic and gothic performance artists of all time from fire breathers, to magicians and fortune tellers, all of whom are included in the film for lip service in a story that is not only much too convoluted to understand at times, but seems too long even at the length of an average television special.
Pontypool (2008)
Okay, I’m just going to throw it out there and admit that I didn’t get “Pontypool.” Maybe I’m losing my touch or maybe this is one of the most incomprehensible messes I’ve seen in years, but “Pontypool” makes no sense. It’s abrupt, awkwardly paced, and often times doesn’t even know what to do with the formula it’s set up. We’re supposed to be watching a movie about what I can assume are zombies that have turned in to the walking dead (?) due to a sudden infection that’s carried through the English language. Did you understand that? Because I sure as hell didn’t!
Max Fleischer's Superman 1941-1942 (DVD)
Speaking as a hardcore fan of the Man of Steel it was a real thrill to sit down and watch the collection of animated shorts from the Fleischer’s from the period of the forties that gave way to the innovation of rotoscoping and telling genuinely entertaining stories where Superman takes on a new obstacle every time from mad scientists, mobsters, and giant monsters. The quality is fantastic this time around and you get to peruse the Superman animated episodes based around their dates released.
True Blood: The Complete First Season (DVD)
Maybe it’s because I’m just plain sick of vampires or maybe it’s just that I want them to go back to being feral vicious monsters but “True Blood” always bordered on “Twilight” for me to properly enjoy it and as hard as I wanted to enjoy it, I just couldn’t come around toward liking it as much as my family who found the show to be a breath of fresh air. Sure, the ad campaign was genius, but that’s just about where we end it.
Up (2009)
I hope you understand when I say that I’m utterly speechless, but it’s true. Pixar always manages to surprise with their imaginative adventures and character focus that they come dangerously close to Studio Ghibli territory at times. Take “Up” a movie very reliant on mid air travel and vivid landscapes and (sometimes literally) dog fights that are conducted in the open air. “Up” is a sweet and funny film about Carl Fredrickson, an old man whose spent most of his life selling balloons and devoting his love to his wife Ellie. After a somber note where Carl is left behind widowed, he decides to fulfill his life long dream of traveling to South America and he has a stowaway on board in the form of a chunky hero named Russell.
Friday the 13th: The Killer Cut (2009) (DVD)
Let’s face it, Platinum Dunes is a remake factory that’s managed to take some of the best horror films of all time and completely butcher them. Take “Texas Chainsaw Massacre” for one example, a bastardized MTV version of a damn good dose of indie filmmaking. But surprisingly, “Friday the 13th” isn’t a bad film and Marcus Nispel completely redeems himself. In fact it’s pretty damn good. I know I’ve become the small minority of movie viewers who see the film as a great reboot, but I just clicked with “Friday the 13th” and everything it pushed on audiences including the mean vicious SOB that is Jason Voorhees.