I loved Everwood and I think it was a show that was a rare family outing that didn’t rely on the religious overtones “Seventh Heaven” did and didn’t sink down to teen sleaze like “The OC.” Instead it was a firmly balanced family dramedy that took the Midwest tundra and showed off a cast of character who, with the narration of Everwood’s kindly bus driver/observer, brought to us genuine emotions and dramatic momentum that stuck with the series until the very end. Take the opening of the long awaited “Everwood” Season Two DVD where our love interest Amy envisions an Everwood that’s picturesque and filled with simplistic complications that revolve around an outing with the core characters of the series celebrating a nice summer day.
Breaking Out of the Asylum: Interview with Director Leigh Scott
Whether or not you actually agree with Leigh Scott’s methods of filmmaking and business, whether or not you like Asylum, whether or not you’ve ever bothered to see a film from Asylum, you can’t argue that Leigh Scott is definitely ambitious and has an eye for detail. Though films like “Transmorphers” and “Pirates of Treasure Island” were considered busts and universally mocked, there’s a definite knack for detail and cinematography there that you can’t deny.
Leigh Scott went to work for Asylum pictures a long time ago becoming their most prominent director, a man who guaranteed to get their movies out there in time with a solid cast, and since then he’s branched out to make films on his terms and try to emulate the directors he’s come to admire as a film buff. The Milwaukee born filmmaker is still at it, and now has the chance to hit the scene in a big way with a revisiting of the L. Frank Baum tale “The Wizard of Oz” which is a modern take with a twist called “The Witches of Oz” about an adult Dorothy now being called on to save her own reality when the Wicked Witch of the West decides to conquer Earth.
Often a controversial filmmaker spawning many articles and questions of his practices, Scott has shown no signs of slowing down any time soon and continues to power on with this much talked about production expected to have a limited release soon. Though Leigh and I have a rather interesting, volatile, infamous (any other adjectives you can think of) history together, I thought it would be a good chance to interview Scott and see what he’s been up to and why he decided to twist the tale of “Wizard of Oz” for the modern age.
Star Wars Clone Wars (Season 1, Volume 1): A Galaxy Divided (DVD)
Sure its film counterpart got a lot of bad reviews at the movie theaters, but guess what kids. “The Clone Wars” does not suck. In fact as a series is a damn good dramatic science fiction opera that works its way through arcs instead of providing self contained stories, which kids shows usually consist of. “A Galaxy Divided” consists of four episodes of “The Clone Wars” and starts off strong. “Ambush” is a fine beginner to an already strong premise and probably the best of the foursome as Master Yoda takes to aggressive negotiations that bring him and three clone soldiers to the mercy of an endless army of robot drones and the empire’s worst warrior: Asaj Ventress.
Star Trek (2009)
I’ve never been much of a fan of “Star Trek” as personally I’ve always found the intelligence vastly oversold by zealous fans, but I digress. I’ve spent most times admiring the light saber than I have the USS Enterprise and I think JJ Abrams has found a great balance where even folks who have written off the franchise can enter with a clean palette. And that’s not easy considering the Trek has lost its punch over the last ten years with a waning film series and television stake. “Star Trek” is a film that reboots the aforementioned franchise with all of its guns loaded as it looks to not only show what becomes of James T. Kirk and Spock but who their parents were and how they lived as soldiers of the Star Fleet.
Push (2009)
Pushers are described as people who can make others see what they want them to see. And minutes later they’re described instead as people who can simply push things with their minds guided by their hands. Often, “Push” can never seem to make heads or tails of itself but that doesn’t mean I didn’t have a good time getting to the end of the road with Paul McGuigan’s absolutely guilty pleasure of an actioner. “Push” belongs in that class of films I call “Not Quite X-Men,” movies that play out like origin stories to comic book characters and like the previous title “Jumper,” McGuigan’s “Push” aspires to be nothing more than a super powered “Fugitive” that uses all settings and space to make the best of a pretty thin plot and a pretty thin budget that takes the story to great levels of action and thrills.
Hamlet 2 (2008)
Andrew Fleming’s “Hamlet 2” is probably everything “High School High” wanted to be and couldn’t. It’s a raucous comedy that also doubles as an inspirational teacher vs. underprivileged kids flick sans any of the politics and searing melodrama. “Hamlet 2” is probably one of the funniest movies I’ve seen not associated with Judd Apatow and that’s thanks in whole to Steve Coogan who is absolutely hysterical as failed actor Dana, a man who has resorted to making school productions of popular Hollywood films and must find the right play to rejuvenate the arts program when he receives word all arts are being cut from the school he attends.
Fanboys (2009)
I have never not laughed so much since I saw “Gone Fishin'” and that says a lot. I was dying to see “Fanboys” ever since I met eyes with the theatrical trailer and whether or not it was because of the constant recuts or my sky high anticipation, “Fanboys” suffers from mediocrity. Sure it’s not a bad movie but it’s not a particularly good one because every joke and every single “Star Wars” reference falls like a flat football and falls hard. The war between Trekkies and Warsies, debating on Boba Fett, discussing the connection between Luke and Leia as a romantic couple it’s all here and can I get a giant yawn? Because none of it is ground that hasn’t been treaded by a million fans before and beyond but “Fanboys” attempts to corner the market and use it as a buffer for the comedy that is never really all that funny.