Take the attempted humor and characterization of “Shaun of the Dead,” the central plot behind the second half of “Night of the Creeps” and team it with “Return of the Living Dead” and you have yourself a sick and rather amusing little hybrid known as “Dance of the Dead” yet another zombie movie that branches off from Simon Pegg and Edgar Wright’s universe and tries for the same comedic momentum with a modicum of teen angst that doesn’t always work, but is nonetheless a fun indie romp. Let’s face it, the zombie genre is all but a skeleton of itself but that doesn’t mean director Gregg Bishop doesn’t give it the old school try by making his version of the Pegg-Wright romzomcom.
Indiana Jones and the Kingdom of the Crystal Skull (Two-Disc Special Edition) (2008)
So I keep coming back to that same question over and over: Was “Kingdom of the Crystal Skull” really all that bad, or were more Lucas retractors just exaggerating because they grew up and Spielberg’s story didn’t? And I keep coming back to that same answer: No. “Kingdom of the Crystal Skull” really isn’t a bad movie; in fact it’s one of the better Indiana Jones entries I’ve seen that’s been grossly skewered by fans as the “Phantom Menace” of the Indiana Jones franchise, when really, it’s not bad. It’s actually quite good.
Shutter (2008)
Here’s what I learned from watching the remake of “Shutter”:
1. Even purely Asian women look Caucasian only because they should.
2. There are such things as spirit photography magazines.
3. There are experts in spirit photography.
4. Ghosts love a good game of piggyback!
5. And Maya Hazen is a stone cold fox.
Re-Writing Halloween: Interview with Comics scribe Stefan Hutchinson
Stefan Hutchinson’s been a great friend to Cinema Crazed since we began reviewing his comic books and our raves about his takes on “Halloween” and the mythos of Michael Myers have not been sycophantic. If you’ve ever read a comic from this man, you’ll know he’s one who understands the world John Carpenter unfolded for horror audiences, and why it’s remained so prevalent in the film community in spite of bad sequels and remakes. With that said, we hear from Hutchinson and his approach to the comics.
So what inspired you to write Tarantula Man?
Tarantula Man came about as a result of a long discussion between myself and the team who write the website material. We were having a conference about potential new content for the site, and Greg Mitchell (one of the site writers) suggested possibly doing Tommy Doyle’s comic books. My thoughts went into overdrive at that point and I came up with the rather wrong idea of a pedophile arachnid. I was thinking about things that would scare a child, and I instantly thought of how myself, as a child, I was constantly warned to avoid strangers. In my mind when I was young, strangers were shadowy figures that hung around by the school gates and in the garden at night. That was the sort of thing I was trying to tap into there.
The Walking Dead #53
Whoa, whoa, whoa, are you seriously jerking me around Kirkman? The final splash is all one big tease, right? It has to be. These three new characters would say anything to be let in to the farm and I believe it. This series was originally called “Night of the Living Dead” and we only had an inkling of what may have caused the dead uprising in that movie, and one possible explanation. There’s no way Kirkman would explain and hold our hands through why the dead suddenly started rising one day.
Feast II: Sloppy Seconds (2008)
As a product coming out of the gates of the Weinstein throes where they took a painfully mediocre television series and turned it in to a form of producing an honest to goodness horror film, “Feast” kicked my ass from here to Thailand as a truly great horror comedy with some bone breaking action, creepy horror, and genuine comedy that induced laughter whenever it damn well pleased. “Feast II” takes the same turns as the original did but this time with Gulager able to take his own twist and storytelling abilities and include his own usual suspects i.e. his wife and father who prominently featured in the first half of the sequel known as “Sloppy Seconds.”
Chainsaw Maid (2007)
Around four months ago I deeply considered reviewing “Chainsaw Maid” for the site mainly because I thought it was so well made. These days I’m almost sorry that I opted out of reviewing “Chainsaw Maid” because it’s become somewhat of a cult hit. How did this happen? The animation is rigid. The claymation basic, and the story is so incredible one note, and yet when all is said and done I’d actually sit and watch a ninety minute live action version of “Chainsaw Maid.” What’s the big deal about this movie? Well, as a person who can’t speak Asian, the director, and writer are basically unknown to me, and there’s a strong character motivation in spite of the fact that there’s zero dialogue.