Even though “Azumi” was clearly adapted from a quite visual fantasy comic book, that doesn’t mean it lacks any of the emotion or complexities it attempts to inject within its epic scale. “Azumi” is quite possibly one of the most visually amazing samurai epics I’ve ever seen. From sweeping landscapes, to rather fantastic battle sequences, Kitamura’s film is a pure gem to watch, and the long run time makes it all the more rewarding experience, because it will be difficult to turn away from and watch end. Filled with colorful characters, memorable villains (Saru is my favorite: played well by Minoru Matsumoto), and a wonderful heroine, “Azumi” is the tale of a young girl discovered by the side of her mother’s body. Taken in by a sympathetic wanderer and his three sons, she grows to be a powerful samurai warrior in a dojo led by her master.
Scary Movie 4 (2006)
“Scary Movie 4,” and the franchise the bred it, is one of the worst examples of this sub-genre. It’s a lazy, hackneyed, and utterly irritating mess that relies on different movies references for laughs without spinning it into comedy. Feature someone who looks like Napoleon Dynamite, spoof some recent current event, perhaps have a pop culture figure spoof themselves and expect laughs; and that’s just the first five minutes alone. But that’s just not how it works.
The Green Hornet (2006)
I still don’t see why it’s so difficult to turn two of the coolest superheroes into a full fledged action franchise to this day. If anyone is more deserving of a movie franchise it’s The Green Hornet and his assistant/sidekick Kato, who, with the right director, can be turned into a blockbuster franchise that could easily be put in the same consideration as Batman.
RL Stine's The Haunting Hour: Don't Think About It (2007)
Sure, by today’s standards, and with my current age, R.L. Stine isn’t so scary anymore. But in case many of you don’t know the name, R.L. Stine is very recognizable to the folks like me who grew up around the time Stine resided in book shelves all over the country. For horror geeks like me, Stine was a gateway drug, he was that first introduction into the horror genre before you came into the hard stuff, and I loved it all. For the teens that could get away with it, he brought us “Fear Street,” a creepier, mature, and violent series of books that had actual stories to them.
Jopog Manura, (My Wife is a Gangster) (2001)
Jin-Gyu Cho‘s film is a very unusual little entry. It’s basically all over the map in terms of the genres, and is really never what you expect it to be. The premise reads like a sitcom, except with violence and mystery a la “La Femme Nikita.” Sure, in some places that could lead to an awfully messy film, but “My Wife is a Gangster” surprisingly works. Eun Jin is a mob boss named Big Brother, who was given the tag of a legend after taking on a group of men to defend a friend in combat. But after so many years of acting like a man and grimacing, she finds her long lost little sister and now must stick by her while she dies. Her sister wants one thing for her: she wants her to get married.
Hatchet (2006)
How many slashers movies have there been in the last few years that were worth a damn? Beyond “Leslie Vernon,” I can’t think of a single great slasher film that has made this slasher freak drool with sheer glee. “Hatchet” comes close to inspiring some foaming at the mouth, and I’m glad. As a horror nut that basically scours horror sites far and wide, I’ve heard about “Hatchet” almost non-stop. And thankfully, it’s lived up to its hype somewhat. “Hatchet” is a slasher comedy that really does admirably aspire to become a classic, and it succeeds in garner the horror comedy status from minute one. Not only is it a damn good and gory little slasher flick with a mean bastard of an axe killer, but it’s also pretty sharp and funny.
Idiocracy (2006)
“And the number one movie in the country was called “Ass.” And that’s all it was for ninety minutes. And it won Oscars…”
Our current society needs to be spoofed. In our current state it should analyzed, satirized, and cast into the darkness, because you’re all idiots, and you need to know that. You’re reality show watching, God fearing, literacy phobic, sadistic, consuming, ignorant drones, and someone needs to fill you in on that. “Idiocracy” is a step in the right direction as it’s a merciless satire on our society which is, by the way, currently run by pure idiots. It’s not surprising that “Idiocracy” wasn’t a hit because, risking repetition, movie goers are idiots as stated above, but it’s thankfully been praised among the movie geeks as a bonafide cult classic, a term that Mike Judge has become synonymous with.