Allegedly writer and director Sean Durkin had to water down the story of the Von Erich family because he didn’t think audiences would fully buy or comprehend such misery could befall one family in reality. For those that are in the know, they understand the all too heartbreaking tale of the Von Erich family and their wrestling dynasty. While they and many blame the alleged “curse,” what ultimately tainted them and their success was a combination of toxic masculinity, a seemingly relentless father who demanded too much from men that were ultimately human, and a profession that is still notorious for its high mortality rate, and ability to destroy its performers time and time again.
Every Bugs Bunny Ever: Rabbit Transit (1947)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
Rabbit Transit (1947)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Manuel Perez
It’s the return of Cecil Turtle. Hip hip Hooray.
I was under the impression that 1943’s “Tortoise Wins By a Hare” was the final face off between Bugs Bunny and Cecil Turtle in their rivalry, but I completely forgot about “Rabbit Transit.” Truth be told the reasoning for that is that the series with Cecil and Bugs are all so similar and never really try to do anything remotely new or different. I guess if you like the twist on the classic fable you might like what they do with Bugs here. But with “Rabbit Transit” the return of Cecil Turtle is even more of the same old gags. While it’s not at all one of the worst from Bugs’ library, the whole rivalry between Cecil Turtle and Bugs Bunny gets really old, really quickly.
The Holdovers (2023)
The older I get the more and more I’ve grown to really appreciate Alexander Payne’s “Sideways.” His drama comedy about unfulfilled ambition, and arrested development is still a wonderful experience. “The Holdovers” is a character piece very much in the same vein, but while it might be a character piece it might also end up being one of the most unique Christmas movies ever made. Payne is wonderful at observing and dissecting such complex and unique characters, and with “The Holdovers,” he explores the lives, regrets, and frustrations of three immensely different people.
BAD MOVIE MONDAY: SILENT NIGHT, DEADLY NIGHT 3: BETTER WATCH OUT!
Today on BAD MOVIE MONDAY, Santa Jeremy is going to review one of the most dreaded of all Christmas films. SILENT NIGHT, DEADLY NIGHT 3: BETTER WATCH OUT! So put on the socks your grandma gave you and hold on tight! This may be a rough ride. Ho-Ho-Ho!!!
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Ranking the Complete DCEU from Best to Worst
I really hope someone writes a book someday on the historic wet, steaming catastrophe that was Warner Bros. DCEU. I’ve never seen a studio so hell bent on sabotaging themselves before. They had a golden opportunity, holding possession of some of the biggest icons and money making characters in pop culture history. It should have and could have been an easy slam dunk during a climate where comic book movies were all the rage. Instead rather than let directors make movies they just destroyed any momentum the DCEU had at every turn.
With “Aquaman and the Lost Kingdom” arriving in theaters and signaling the very last movie in the Zack Snyder engineered DCEU, I ranked all of the movies in this universe from best to worst. Here’s hoping James Gunn brings these properties and beloved characters back to their former glory very soon.
65 (2023)
It’s such a shame that audiences just didn’t take to “65” because I had a blast from the minute one. Scott Beck and Bryan Woods’ science fiction survival film is a mix of “Enemy Mine” and “Aliens” to where two people with vastly different circumstances have to rely on one another. Adam Driver is the driving force that really propels “65” in to admirable excitement and some genuinely interesting action set pieces. While I wouldn’t have minded more dinosaurs, “65” gets its point across by embracing its inherently pulpy science fiction roots through and through.
Rebel Moon – Part One: A Child of Fire (2023)
I can’t fault Zack Snyder for essentially giving us a sprawling remake of Akira Kurosawa’s “Seven Samurai” when he seeks to build a new “Star Wars” for the modern generation. “Star Wars” was, as many know, a quasi-remake of “Hidden Fortress.” Another by Kurosawa. It all comes full circle, as Snyder seeks to build a massive mythology in the vein of “Star Wars.” He really wants “Rebel Moon” to be “Star Wars”; at the end of “A Child of Fire”—well—he creates a movie that has been done before but to a much better effect (ahem–“Firefly”).