DRACULA WEEK
When we first see Gabriel Van Helsing in “Van Helsing,” he’s on the pursuit of Mr. Hyde, a hulk-ified version of Dr. Jekyll. While the Stephen Sommers movie was a bust, “The London Assignment” at least takes its best shot at filling in the gaps. “The London Assignment” is an okay attempt a prologue for Gabriel Van Helsing, where we follow him in his efforts to stop the vicious murder spree of Dr. Jekyll and his monstrous alter ego Mr. Hyde.
After coming home, a woman attempts to do everyday things and tasks while a creature creeps up on her, trying to take control of her.
Damnit. Timothy Woodward Jr’.s “Til Death Do Us Part” is a wonderful idea, one ripe for a great horror comedy with a ton of action and what we ultimately got was just… not what I was completely expecting. Granted, the movie does have a wonderful grasp on what it’s trying to do, but the delivery just felt off. It’s a movie that clocks in at almost two hours, and rather than charge in head first with the laughs and action. Instead the movie takes a lot of time, at least twenty or thirty minutes, establishing the initial storyline and back story.
With the huge success of “Barbie,” Mattel just revealed that they’re planning on turning a lot of their classic toys in to big movie projects. On the other end, Hasbro is taking another crack at their own extended universe, intending on developing more Transformers movies, as well as rebooting “G.I. Joe,” and bringing “M.A.S.K.,” “Micronauts,” and “Rom” to the big screen. What with these companies developing big projects, I thought of five great forgotten IP’s that deserve a reboot, or big screen franchise.
What are some forgotten IP’s would you like to see on the big screen?
Opens with a New 35th Anniversary 4K Restoration by Indie Collect in New York at BAM Rose Cinemas on August 4th and in Los Angeles at the American Cinematheque on August 11th, followed by national expansion.
Watching Fran Rubel Kuzui’s gave me a mysterious sense of déjà vu as her movie “Tokyo Pop” is very much about a misplaced American experiencing culture shock and alienation in an Asian country. Then I realize that Sofia Coppola pretty much conveyed almost the exact same narrative in her acclaimed “Lost in Translation.” Fran Rubel Kuzui’s “Tokyo Pop” from 1988 was an obvious influence that apparently never really was discussed very much. So much of “Tokyo Pop” is similar in tone, aesthetic and the idea of using media as a means of helping people to connect. With “Tokyo Pop” characters Wendy and Hiro use music as a means of connecting in a world where they’re separated by language and culture.
Despite being mainly associated with the 1980’s, Eastman and Laird’s “Teenage Mutant Ninja Turtles” is the franchise that has yet to suffer a death of obscurity. It is instead rebooted and revamped every decade for a new generation and they still hold some massive appeal. This week the Turtles make their cinematic comeback with “Mutant Mayhem,” an animated reboot from produces Evan Goldberg and Seth Rogen. In celebration I thought it’d be fun to rank all of the cinematic outings of the Heroes in a half shell from Best to Worst.
What are your rankings?
A young girl being bullied for thinking she’s a vampire decides to show her bullies that she really is a vampire.