“Won’t You Be My Neighbor?” is the movie that the world needs right now, it’s the ultimate superhero tale. It’s about a man who grew up experiencing nothing but pain that decided one day to take his ability to talk to children and his education and use it as a tool for good and for changing the world. And change the world Fred Rogers did, as he one day took a step back and decided that the world needed some kind of force for good. He knew that could mold children and use the medium of television as a valuable tool that could turn every single child, no matter what race or religion, in a neighbor and a friend.
September is National Suicide Prevention Month
Here on Cinema Crazed, we consider ourselves an entertainment blog that celebrates and dissects film and pop culture, but we’re also advocates for mental health. Mental Health is often dismissed as a trivial health problem and is often stigmatized or looked down on in society. There’s no shame in getting help and seeking professional counseling from someone in times of great stress and or pain. With the rates of suicide rising over the years, it’s more essential than ever to seek psychological help.
No matter what happens in your life, you deserve good health. You deserve to have peace of mind. You matter. You’re wanted. People care about you. Most of all, you’re not alone. Not in the world, and not in suffering. If you’re contemplating suicide please consider the Suicide Prevention Hotline, right now. You deserve to live a full life.
The Bootleg Files: Rabbit Every Monday
BOOTLEG FILES 651: “Rabbit Every Monday” (1951 animated short with Bugs Bunny and Yosemite Sam).
LAST SEEN: On DailyMotion.com.
AMERICAN HOME VIDEO: On VHS and LaserDisc only.
REASON FOR BOOTLEG STATUS: It was never released on DVD or Blu-ray.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It could happen.
Believe it or not, a surprisingly substantial number of classic Bugs Bunny cartoons were never released on DVD or Blu-ray. We’re not talking about the politically incorrect shorts that have been kept of circulation for very obvious reasons, but the knockabout cartoons that were a staple of kiddie television for decades and were part of the initial VHS and LaserDisc release of the old-time Warner Bros. output.
One of Bugs Bunny works not on DVD or Blu-ray is the 1951 “Rabbit Every Monday.” It may not be a classic of the genre, but it has enough goofy charm to generate smiles and light chuckles.
Arizona (2018)
In a mostly empty housing development in the mid-00’s, a realtor witnesses a murder and become entangled in a series of increasingly incredulous events.
Destroy All Monsters (1968)
By 1968, the sons o’ fun at Toho were running out of ideas on what to do with their monster movie franchise. In “Destroy All Monsters,” the studio assembled nearly all of their beloved Tokyo-stomping monsters and recycled earlier movie plots regarding extra-terrestrials using the monsters to conquer the Earth. The result was a noisy, raucous mess that will appall the serious cinephile and delight the inner 10-year-old cocooned within the most seriously cynical of adults.
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Lifechanger (2018) [FrightFest 2018]
A shapeshifter is running through bodies faster and faster and must take extreme measures to keep surviving or let go of his own self.
Written and directed by Justin McConnell, Lifechanger is an exploration of mortality, letting go, love, and what people are willing to do to keep going without changes and what they are willing to accept to keep their lives on their preferred path. While the film is a horror film at its core, the story is about much more than the simple kills and shapeshifting, it’s about taking over lives, making one’s own life. The way this is approached creates a story that is easy to follow even with the switches in lead person and the multiple storylines. The film keeps everything in order and easily understandable. As the story advances and the lead narrates the story, the reasons for it all become clearer and they are not just for survival.
The Happytime Murders (2018)
Director Brian Henson explained in an interview that he hopes the wrong audience doesn’t accidentally see “The Happytime Murders.” So I have to ask: Who is “The Happytime Murders” meant for? Who is the target audience here? It certainly has aroused the ire and vitriol of Muppets fans, horror fans mostly dislike it, and it has inspired nothing but groans and eye rolls from comedy movie buffs, so who is this movie for, anyway? Despite Henson’s best efforts to pad the wet thud that is “The Happytime Murders” by labeling it a “guilty pleasure,” you’d have a much better time putting socks on your hands and barking random expletives to yourself.