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The Marx Brothers in Love Happy

The Marx Brothers’ final feature film was the 1949 comedy “Love Happy,” and the story behind the creation of this cinematic swan song was more astonishing than the on-screen antics. In this episode of “The Online Movie Show,” Kevin Scott Collier, author of “The Marx Brothers Love Happy Confidential,” details the film’s tumultuous production and release history, while providing insight in how Marilyn Monroe landed her scene-stealing role.

The episode can be heard here.

“The Online Movie Show” is produced at the Platinum Wolfe Studios.

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The Bootleg Files: Laverne & Shirley in the Army

BOOTLEG FILES 627: “Laverne & Shirley in the Army” (1981-82 animated series).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Never re-released after its initial broadcast.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Oh, I hope not.

In concept, making an animated series based on “Laverne & Shirley” made perfect sense because the beloved sitcom was the most cartoonish program in the 1970s prime-time schedule. With its propensity for slapstick comedy and a line-up of over-the-top characters, “Laverne & Shirley” was a living cartoon.
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Five Movies to Watch After Marvel’s “Black Panther”

With Ryan Coogler’s “Black Panther” storming the box office, I implore you to check out these five movies, all of which carry the same themes and ideas from the film. Marvel’s African American superhero is finally getting the love and adoration he deserves, the added icing on the cake is the wonderful film that brings him in to his own unique and fun action movie with Black Panther in his world.Without further ado, here are five great movies we suggest after “Black Panther.”

Feel free to post your own suggestions in the comments!

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Night of the Living Dead (1968) [Criterion Collection] [Blu-Ray]

Although George Romero wasn’t as particular or gung ho with his filmmaking as Stanley Kubrick was, you can’t really sit through “Night of the Living Dead” without feeling like everything is so deliberate. Like what is the significance of Barbara looking through the music box? Why did Johnny approach Barbara with his gloves on? And why did Romero blatantly film one of the dead with its eyes moving? Was it was considerably faint attempt to humanize the monsters that we’d see be hit with fire and shot to death throughout the film? Or was it his reminder that through and through these were once people with human impulses and their urges for human flesh are still a part of some human impulse? “Night of the Living Dead” is so nightmarish and intricate that I love picking it apart every single time I’ve seen it and it leaves me stunned every single time.

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