The 400 Blows (1959)

Posted on April 21, 2014 by Felix Vasquez

Director Francois Truffaut’s picture about a young boy with absolutely no direction in his life is one of compelling storytelling topped by incredible filmmaking. Truffaut explores the aimlessness and joy of youth, as well as the ticking hands of time that accompany youth as our protagonist Antoine Doinel realizes all too early he’s becoming a man, and the innocence he’s savored for so long is doomed to come to a bitter end, very soon. Hence the haunting and enigmatic closing scene where he scampers on to the beach, one of his favorite locations in the world, and looks out on to what almost feels like a blank slate.

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The Days God Slept (2013)

Posted on April 21, 2014 by Felix Vasquez

I admit that I went in to “The Days God Slept” with no real idea of what it was about. And then when it ended I felt like I’d been sermonized, which left me with a cringe. It’s the all too familiar religious guilt aspect that bothered me, and really doesn’t mesh with the story of “The Days God Slept” too well. I really liked the idea of men building up the image of a stripper and or erotic performer and never quite allowing themselves to see the human beneath the image. But once the religious aspect is introduced, it’s completely lost.

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Joe the King (1999)

Posted on April 21, 2014 by Felix Vasquez

Interesting enough, fans of Truffaut seem to still compare Frank Whaley’s “Joe the King” to the former director’s “The 400 Blows.” It becomes very clear time and again that Whaley doesn’t just love the movie, he expresses it by cribbing from many moments in said film, and uses this semi-autobiographical film as an opportunity to stage many scenes in the vein of “The 400 Blows.” The only difference is that while Truffaut staged some moments of hope and whimsy that could at least offer his character a glimmer of hope, “Joe the King” is a sour and bitter film from beginning to end, with no idea how to finish its arc.

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Her (2013)

Posted on April 21, 2014 by Felix Vasquez

It would take Spike Jonze and only Spike Jonze to be able to grasp the more awe inspiring subtleties of “Her.” It’s an incredible technological tale about love, human connection, and a question of a higher power. Though usually I’m not a big fan of films about higher powers, “Her” doesn’t sermonize so much as postulate the idea of a higher power that was once very devoted to their servants and then evolved over time to where they eventually left them to fend for themselves, altogether.

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The PC Thug: Re-Visiting the Weekenders

Posted on April 18, 2014 by Felix Vasquez

The constant about kids animated programming is that we almost always see children going to school. From “Hey Arnold!” and “Rocket Power,” we always see them going to school. Heck, eventually “Ed, Edd, and Eddy” began featuring its core cast going to school. What was so fun about “The Weekenders” is that every episode took place during the weekend and only the weekend. Hence, the title. In 1999, Disney helped create the antidote to the wildly popular animated series “Recess,” which centered on kids going to school, and instead focused on a show about a group of friends whose weekends were almost always wild or eventful.

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Camp Dread (2014) (DVD)

Posted on April 15, 2014 by Felix Vasquez

Director Harrison Smith’s “Camp Dread” is a mixture of “My Little Eye” and “Friday the 13th.” In fact, go watch those movies instead. In all seriousness, “Camp Dread” has a pretty clever premise, it just has absolutely nothing to do with it. It’s a straight faced slasher film set in a summer camp and barely uses the opportunity to reference the “Friday the 13th” films, and yet it takes full advantage with Danielle Harris as the local sheriff. Her character’s brother is named Michael, and she hates horror movies. You see, it’s opposite. It’s clever because it’s opposite!

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