Kiss Kiss (2019)

I knew I was in trouble with “Kiss Kiss” when twenty minutes in, the film had shifted to its third musical montage involving our female characters. “Kiss Kiss” is not only incredibly silly, but insanely boring to the point where I shut it down once the credits showed. I didn’t even want to soak in what was basically just an excuse to show women bouncing around and inflicting pain on one another for ninety excruciating minutes.

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Fighting With My Family (2019)

As someone who grew up with a family that adored wrestling, I had a very good time learning about Paige and the down to Earth working classic family she grew up in. “Fighting With My Family” is the adaptation of the documentary that tells the tale of Paige and how she grew up working with her parents, both of whom built their own home grown wrestling federation. Paige, the most popular of her brood, eventually rose to become a WWE star, allowing for a great tale of the working class rising to fame. With some liberties taken Stephen Merchant’s “Fighting With My Family” is almost as good that also works as a tribute to the power of family.

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You Have to See This! Barb Wire (1996)

So this is where comic book movies were in 1996, kids.

You don’t know how good you have it. These days everyone has Iron Man, and Captain America, Oscar winning Spider-Man movies, and massive team movies from DC and Marvel. Aquaman is a friggin’ box office juggernaut. In 1996, though we had slim pickings, and, well the best we could get was a truly terrible, painfully dull cinematic adaptation of a pulpy Dark Horse comic that doubled as a remake for “Casablanca.” No seriously, this is as good as it got for us comic book fan boys.

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The Kid Who Would Be King (2019)

When I was a kid I was heavy in to the mythology of Arthurian lore. Everything about King Arthur and the knights of Camelot drew my immediate attention and fascination. I spent a great three years learning everything that I could about that era. As a kid if I’d have seen Joe Cornish’s “The Kid Who Would Be King,” I’d have left the theater with a humongous smile on my face and anxious to learn a lot more that was available in the libraries. Joe Cornish has a particular love for making heroes out of underdogs and the least suspecting people you’d come across, and he carries that trademark in to his newest film.

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Kim Possible (2019)

As a preamble I admit that I’ve never liked the “Kim Possible” animated series. I know as a Disney fan I’m supposed to love it, but I always found the series to be incredibly flat, bland, and boring. I didn’t really care for anything about it beyond Will Friedle who, at the time, was my favorite voice actor. That said, when “Kim Possible” was rebooted in to a TV movie series, I was surprised by how new and re-energized the reboot looked. Though “Kim Possible” is back, she’s returned for a whole new generation of fans that have embraced heroines fighting crime.

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5 More Top Minority Movie Heroes

I love doing the Minority Movie Heroes lists because it’s challenging. It’s easy to find movies where the minority is the villain, but the hero? That requires a lot of searching and combing of movies. As a minority myself I love finding minority movie heroes and including them on the list here. This is the third part in “Our Top 10 Minority Movie Heroes” lists that I had a great time compiling, and what better time to feature part three than Black History Month? You can catch part one and part two of the list, and these are five more that I downright love.

Do you have any favorites? Let us know in the comments!

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Cobra (1986): Collector’s Edition [Blu-Ray]

Take the unabashed violence of the eighties action films where all that stood between peace and war was one guy with a gun, throw in a slasher film, and you have what is one of my absolute childhood favorites. “Cobra” brings me back to a time where I’d watch Marion Cobretti bring down a thug with the cold hard steel of his Colt .45 and still have time to go home and unwind with some left over pizza. Thankfully “Cobra” still pretty much holds up today as a mixing of two very popular genres from the decade, and it works for the most part.

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