Eve of Destruction (1991) [Blu-Ray]

Now Available from Shout! Factory

I’m all for the idea that every movie no matter how bad they may be, has some kind of value to them. I’m not saying that “Eve of Destruction” is a bad movie, I’m just wondering why it received a Blu-Ray release from Shout! when it’s a fairly unremarkable movie. It’s about as routine and stale as you’d imagine a movie made in the post-“Terminator” era could be, where every studio dealt us their own movie about a killing machine run amok with a big gun or massive weapon. Here we’re given a weird central plot about clones Gregory Hines who is about the least convincing military mercenary ever put to film.

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The Shape of Water (2017)

What “The Shape of Water” ultimately amounts to is Guillermo Del Toro’s own adoration for monster and romance cinema. Del Toro constantly evokes shades of “The Creature Walks Among Us,” and “Beauty and the Beast,” while also channeling Woody Allen’s “Purple Rose of Cairo.” Much like the latter, “The Shape of Water” depicts a somewhat whimsical romance in a world filled with misery and darkness at every corner. Del Toro has a lot to say about the ugliness of humanity and the ideas of what monsters truly are in this world and others.

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Another WolfCop (2017)

If you loved the out there nature of “WolfCop,” you’ll be happy to know that director Dean Lowell rewards fans for their long wait for a sequel with “Another WolfCop,” a sequel that is so far out there, it’s surreal at times. Director and writer Lowell channels a lot of classic films once again, centering on our vigilante WolfCop as he protects his small town in the most violent methods, all the while concocting a premise involving the furry vigilante that feels like an amalgam of “Halloween III,” “V,” and “Howling II,” if you can believe it. That’s not where the wheel stops spinning though, as director Lowell deals his furry crime fighter a new villain that is beyond anything he’s ever experienced.

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Kill Order (aka Meza) (2017) [Blood In The Snow 2017]

A teenager with strange abilities discovers why he has these and has to decide what he wants to make with them and himself.

Written and directed by James Mark, the film is a nice long string of fight sequences with other scenes and sequences in-between to build the story that unfortunately come off as forgettable, especially next to those fight scenes. The fighting in Kill Order is where it’s at. It’s rousing, exciting, and fun to watch. Which makes the in-between stuff this much sadder being that they are some much fun and the rest of the film feels a bit forgettable. The story is interesting but it’s not developed in a way that keeps the attention. The only reason this reviewer kept watching was all the awesome fighting. Fans of stuff like Ong Bak and B13 will love the action, but will probably check out during the rest of the film. Also not helping this are scenes that have subtitles that are white on white, thus extremely hard to read.

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Kong: Skull Island (2017)

What I love about “Kong: Skull Island” is that while it’s essentially a good old fashioned matinee monster movie at heart, it’s also a pretty clever take on the Vietnam war. “Kong: Skull Island” implements the classic trope from the classic giant monster movies taking a group of armed men and women in to the wilderness, and uses that as an allegory for the Vietnam war. Like the aforementioned war, US soldiers storm in to a wilderness they were unprepared to do battle with, except they face an unparalleled force of nature. Also very effectively setting up a cinematic universe, Jordan Vogt-Roberts aspires for a lot, and succeeds as a simple and harrowing adventure with big monsters, and menacing creatures far and wide.

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Hey Arnold! The Jungle Movie (2017)

Nickelodeon’s “Hey Arnold!” was one of the banner animated series from the heyday of the 1990’s. It was a subtle, sweet, and often funny coming of age show with a lot of heart and some brilliantly memorable moments that evoked pure emotion from its audience. Despite ending in 2004, Nickelodeon gave the series a final send off in 2002 with a flimsy and absolutely wretched big screen film that did nothing to close the world we’d come to love. Most of all, it did nothing for the story arc of main character Arnold, who spent a majority of the series under the care of his elderly eccentric grandparents.

Mid-way through the series, we learned that Arnold’s parents were explorers who spent their days traveling, and the last they ever saw of him was before they left for one last adventure to help a village suffering from a mysterious illness.

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Justice League (2017)

If “Batman v Superman” was Zack Snyder’s own way of exploring how antiquated Superman is, “Justice League” is the proof by Joss Whedon that Superman is actually a bad ass with the right mind behind him. I won’t pretend that “Justice League” is a masterpiece of the comic cinema boom, but I can’t claim it to be one of the worst movies of the year, either. With some spit and polish, it could have risen to be a fantastic film, but in its final form, it’s a neat diversion with a manic energy, and the return of a modern cinematic Superman who presents an iota of positivity, charm, and hope. Finally.

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