post

Planet of the Apes (1968)

planetoftheapesIN LIMITED RE-RELEASE July 24th and 27th — It’s pretty exciting that two of the most important pieces of cinema ever released, “Night of the Living Dead” and “Planet of the Apes” would come in the same year and pack the same intellectual punch.  Written by non other than Rod Serling, “Planet of Apes” is like an extended episode of “The Twilight Zone” filled with terror, and social commentary. And much like the aforementioned George Romero horror film, “Planet of the Apes” garners an absolutely shocking ending that is still one of the best delivered finishers in film history. Though the title says it all, “Planet of the Apes” is still a rather unique genre experience, mainly for its willingness to avoid showing the apes until a good portion of the movie has passed.

Charlton Heston gives an iconic turn as Colonel George Taylor, an astronaut who crash lands on a distant planet after a space expedition and learns the hard way that apes are rulers of this world. Primitive and yet completely organized in class systems that are identified through the species of apes, much like the human race, Taylor is stuck in a world he’s completely unfamiliar with, and can barely muster the strength to rebel, as the sights startle him. Pierre Boulle’s source material is drastically different from the film adaptation, but none of the impact is lost, nor is the commentary on the way we relegate our animals to the lower echelons of our society.

There’s the irony of our primitive counterparts becoming rulers of a jungle land while humans are servants, pets, and test subjects for medical experiments. Meanwhile the various ape species garner their own system of classes and aristocracies, mulling over the structures of their own society. The gorillas are police officers, military, hunters and workers, and the orangutans are administrators, politicians, lawyers and priests, while and chimpanzees are intellectuals and scientists. As Taylor watches his friends die, he inevitably begins to fight back, and, much to the shock of the apes, speaks back defiantly. This sparks an immediate rebellion, and prompts the ape society to completely re-think the way they operate.

“Planet of the Apes” features a world and society that’s different from ours and yet perfectly similar, even alluding that the apes are still in their early stages of evolution as a species. Franklin J. Schaffner’s production from the Serling script is masterful, with a massive cast of brilliant performers offering great performances. Heston’s turn is immortal, all the while folks like Kim Hunter, Roddy McDowall, Maurice Evans, respectfully transcend their ape visages to convey very unique and complex characters all around. “Planet of the Apes” is a pitch perfect science fiction film, that still conveys sharp social commentary and will win over the hearts of science fiction purists old and new.

Buy Tickets now at Fathom Events.

Most Anticipated Films at Fantasia International Film Festival 2016

Now that the full schedule is out, Fantasians have planned what they will see and bought their tickets.  This year’s line-up is full of potentially great stuff and some real oddities.  Personally, I look forward to being surprised.  In the past, I was happily surprised by Shaun of the Dead, GS Wonderland, A Christmas Horror Story, Borning, etc.

All films I randomly went to see without much planning.  So what am I looking forward to this year?  Here’s a few I want to see without knowing a ton about them in advance.

Continue reading →

Batman v Superman: Dawn of Justice (2016): Ultimate Edition [Blu-Ray/DVD/Digital]

BvSFrom the man who gave us such rousing successes as “Sucker Punch” comes a new vision of Batman and Superman that’s pitch black, violent, and painfully stupid. Zack Snyder is a man with so much admiration for Alan Moore and Frank Miller, he spends the majority of “Batman v Superman” ripping them off wholesale. Snyder’s film is such a botched job he works in reverse, and takes the time out to deconstruct his vision of the iconic superheroes we haven’t even gotten to know yet. But hey, at least we get to see Bruce Wayne’s parents murdered in an alleyway once again. To make matters worse, the film is long, overstuffed, and painfully boring.

Continue reading →

post

Bachelor Games (2016)

Bachelor-GamesHenry is about to marry the love of his life, so he and the guys go to Argentina for an epic bachelor party/trip.  Once there, there’s booze, strippers, and drugs before a sobering hike in the mountains where they meet a mystical figure called The Hunter and things get bloody.

The film is written by Chris Hill and Sam Michell who created a believable group of friends with problems and normal lives.  None of the five leads are perfect; they all have issues, giving them humanity when they could have easily been caricatures like in The Hangover series.  These guys are close, or used to be, and it shows through their interactions.  Of course, not all the situations they are put in are realistic given the Hunter figure but having built a believable setting with human characters, the mystical or paranormal works as well.

This script is brought to the screen by Edward McGown a mostly non-fiction director.  His nature documentary eye shows in how he shoots the mountains in which the five men go on a hike.  Here he crafts a movie that looks beautiful and is suspenseful once the creepy figure of the Hunter shows up.  He also brings his actors together in a way that works, whether they are having fun or fighting.

The cast of Bachelor Games is good with a couple of very strong performances.  Jack Gordon as the groom to be, Henry, brings many layers to his character that starts off happy and then shows conflict and worry.  His character has possibly the most to lose and the most to learn in the bad situation they find themselves in.  As Henry’s best man/friend Leon, Charlie Bewley brings layers of slightly off, slightly creepy, womanizing, party boy with no regrets over anything he’s done.  That is until he starts fearing for his life and reconsidering what is important in life.  Both of their characters have interesting arcs and their performances go with that.

The rest of the cast does well too, Jake Doolan does a convincing drug-addicted bro as Terrence, Mike Noble shows sensitivity as Roy, and Obi Abili brings us an attempting-to-be happy army man with potential PTSD.  However, viewers should not be fooled by these performances as almost nothing is as it appears here. The film works as a drama and as a mystery/thriller, it even works as a horror film as it has a lot of elements of the genre in it.  The Hunter figure is creepy and adds a chilling element while its design is beautiful.  The film has some blood but no real gore to speak of.  The blood looks really good and real, even in bright light.  They do not shy away from it or hide it in darkness, the violence leads to blood as it should and is clearly shown.

Also worth noting for this film is the cinematography by Lucio Bonelli who brings extensive film experience to director Edward McGown’s documentary experience to get the film to look beautiful and creates an almost dreamlike feel to the images, particularly when in the mountains.  Some of the images are a bit on the over-exposed side, but it works with the settings and with the mysterious circumstances, bringing more to them and showing that creepy and mystical creatures can be just as effective in bright daylight.

While Bachelor Games is not the scariest film, it’s well-crafted and entertaining.  The story has a twist but it’s early enough to not be annoying or film destroying, it actually adds to the film.  The performances are good to very good; the writing brings a potentially very basic story into a more interesting one.  The film is shot beautifully and makes you want to travel even with the risks shown.  The whole of the film is good and worth a watch for sure.

Bachelor Games is now on VOD.

The Return of the Living Dead (1985): Collector’s Edition [Blu-Ray]

rotldIt’s not often that filmmakers strive to set themselves apart from what’s been widely embraced by the horror community and manage to properly redefine a subgenre. Before “Return of the Living Dead” fans accepted the walking dead shambled slowly toward you and ate flesh, but Dan O’Bannon transformed his zombies in to undead crack heads. Said undead crack heads bolted toward their prey like lightning, were devilishly clever, and craved human brains as a source of nourishment. Though “Return of the Living Dead” has a remarkable sense of humor and will inspire a lot of uneasy laughs from the audience, it’s through and through a creepy horror thriller about groups of people fending off undead monsters from every corner while trying to escape Kentucky as it’s ravaged by brain eating ghouls.

Continue reading →

post

The Pack (2015) [Blu-Ray]

pack-bluOnce again, “The Pack” is another in a long line of modern horror films that feel as if they were once written for the late seventies. Nick Robertson’s horror thriller is a very stripped down and simplistic survival thriller that packs in enough excitement and suspense to compensate for the lack of plot. “The Pack” is a combination of a home invasion thriller, and a nature run amok movie, where a seemingly normal family of four is attacked by a pack of large black wolves that arrive out of the wilderness of the Australian outback one night. The wolves are large and powerful as well as relentless, making the fight for survival absolutely intense.

The Wilson family are going through their troubles, as dad Adam finds out their farm is about to be foreclosed on. This creates familial tension, especially with daughter Sophie who wants to move to the city and be among actual people for once. Suddenly the pack of wild wolves burst from the woods and begin terrorizing the family, causing them to look for a way out of their farm and in to civilization. This proves to be more difficult than they could ever imagine, since they have no radio contact with the outside world, and any efforts from local authorities to rescue them results in the wolves literally tearing apart anyone that enters the threshold. A good amount of “The Pack” is built around the family spread apart and looking for a way to outwit and outmatch the wolves.

Their hunger is insatiable making them vicious and powerful in their pursuit. Robertson films some really tight and intense moments of evasion, as the characters hide in corners and small rooms trying to stay as quiet as possible while they devise a route out of the farm without being mauled. Though the budget obviously keeps us from seeing a full on attack by the wolves every minute, director Robertson works well with the limitations, making the wolves feel almost supernatural at times. Many of the best moments feature our characters making wise moves while the deck is stacked against them with these fierce clever monsters, and I was rooting for this family until the very end.

Though the final scene is a bit goofy for its blatant way of leaving the door open for a follow up, “The Pack” is a very good survival thriller and one I could definitely re-watch. The blu-ray from Scream Factory and IFC Midnight features an eight minute “Making Of” focusing on the dogs in the film, and how they worked with them, along with typical interviews about working with the director. There’s also the original theatrical trailer.

Batman v Superman: Extended Cut or Why You Can’t Pour Perfume on a Pig

batmanvsuperman1Pearls. Again. Bruce Wayne’s origin. Again. Joe Chill. I’m presuming. Again. I can still hear the echoes of fan boys rejoicing that “Batman v Superman” wouldn’t be another origin story, and yet director Zack Snyder allows us the thirtieth origin of Bruce Wayne, all for the purpose of squeezing in Bruce muttering “Martha.” Which is his mother. And so a thousand memes were born.

Director Zack Snyder doesn’t allow us the benefit of young Superman or Clark Kent with his mother, also curiously named Martha, because that would make sense. Plus, Snyder never worked with Diane Lane or Kevin Costner. It would be funny though to see Jeffrey Dean Morgan and Lauren Cohan playing John and Martha Kent.

Continue reading →