Captain Phillips (2013)

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One thing that director Paul Greengrass seems intent on exploring is that “Captain Phillips” by no means turns in to “Air Force One.” Tom Hanks as Captain Phillips doesn’t fight people, he doesn’t gain the ability to operate hand guns, and there isn’t a catchy one liners he spouts at his Samalian kidnappers. Captain Phillips is first and foremost a human being under very stressful conditions, doing whatever he can to keep his crew alive. Even if it means sacrificing himself. Tom Hanks gives one of the most amazing performances of his career, playing what is one of the most average men thrust in to a perilous situation.

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The Shadow: Collector’s Edition (1994) [Blu-ray]

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I love pulp heroes and classic superheroes from the 1930’s. If you were around during the 90’s, you will remember many of the heroes that studios attempted to revive for big franchises and massive movie series. And sadly they all failed. From Tarzan, and The Phantom, right down to The Rocketeer, they were all fun movies, but audiences wanted no part of their worlds. “The Shadow,” the biggest inspiration for the creation of Batman, is still one of the most underrated superhero adaptations ever made, but one that unfortunately never bloomed in to a full fledged film series.

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Serenity: Leaves on the Wind #1 [Dark Horse Comics]

“Leaves on the Wind” has a lot to cover in one issue, and surely enough we’re fed a lot of information. And to make things better, the first issue flows smoothly without missing a beat. Sure, the story rushes forward after the events of “Serenity,” but it’s also marching to the beat of the original short lived television series. I’m glad the Firefly clan are back, and as always, they’re being dealt a horrible hand by fate. After losing Wash and the Shepherd, Serenity is now adrift in space and the deaths of their comrades seem almost in vain.

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Nicholas Sparks: Limited Edition Collection (DVD)

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Whether we like it or not the Nicholas Sparks movies haven’t lost steam. Even when they’re flops, they’re still somehow tapping in to the life line of female movie goers, giving movie studios even more of a reason to adapt Sparks’ dramas about gorgeous Caucasian people with no actual problems, that find love with one another. Their love is, of course, chaste, pure, and innocent, with no real raw looks at the passionate love that become the focus of many of Sparks’ movies. Even posters for his movies show people on the verge of kissing. Nothing more. If aliens ever found these movies as a last remnant of humanity, they’d be convinced humans kissed and mated by rubbing noses together and meeting eyes intently.

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Carrie (2013)

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If there’s anything I can say about the remake of “Carrie” is that it’s at least better than the 2002 version. It’s more focused and sleeker. I remember reading on many articles that director Kimberly Pierce was planning to deliver a new and dynamic version of Stephen King’s “Carrie” that differed greatly from Brian DePalma’s iconic horror masterpiece. I’d love to know what happened during the entire development of this film because watching it, all I saw were callbacks to the original DePalma movie. Surely, there’s the addition of the internet and a small riff on cyber bullying but it’s really just a riff on DePalma’s film.

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Harvey (1950)

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“Harvey” is another one of those non-conformists dramedies that asks what the harms is in being a little different. In a time where normality and conservative thinking were a standard, and psychology was still a new aspect of society, “Harvey” is yet another wonderful tale about a unique individual who changes the lives of everyone around him. That’s all thanks to the small ounce of magic he brings to people that have convinced themselves they’re normal, but really aren’t. While “Harvey” fancies itself as a dramedy, it’s first and foremost a light hearted romp through fantasy and imagination, and will often inspire raucous laughter from viewers.

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Nightbreed (1990): The Director’s Cut [Blu-ray/DVD]

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Thanks to the advent of home entertainment and a wonderful company like Scream Factory, director Clive Barker is finally able to realize his original vision for the cult horror film “Nightbreed.” While the film itself has gained momentum and respect over the years as a dark and morbid tale of monsters from the underworld facing human cruelty, Barker’s experience making the movie was a bitter one he often recollected with anger and sadness. With his Director’s Cut, he’s not only able to salvage old footage that he was forced to edit out of his narrative, but he re-structures “Nightbreed” in to practically an entirely new movie. One that’s better than the original cut.

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