Year 3: Harry Potter and the Prisoner of Azkaban Ultimate Edition (DVD)

For folks currently switching over to Blu-Ray this Christmas, there is also the option for traditional DVD releases, and this year available for all of the Potter fans is the Year 3 Ultimate Edition of Alfonso Cuaron’s “Harry Potter and the Prisoner of Azkaban” one of the few very entertaining installments of the Harry Potter series that has a truly dark and grim tone to it appealing toward adults and children alike.

This is one of the few films of the series that convinces me Harry Potter is not just for six year olds with a library card, and Cuaron lends a distinction that makes his version of the book much more bleak and atmospheric with a horror film sensibility and grit he brought over from “Children of Men.” Granted, I’m not a fan of the Harry Potter franchise in spite of my trying in the early days of the first book. I can still fondly recall reading the first book and midway through the text, I had to put it down and try to stay awake.

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Disney’s A Christmas Carol (2009)

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It’s rather disheartening how a film that is filled with such a visual epic scope can in the end feel so cold and lifeless. Even with the title now being “Disney’s A Christmas Carol” with Charles Dickens (you know, the author of the actual story?) craftily omitted from the publicity campaign. Robert Zemeckis’ insistence on delivering some of the more stone cold animated films, that continue to attempt to convince us that it’s so much more than a simple demo reel continues with “A Christmas Carol.” It’s yet another spin on Charles Dickens tales of Christmas and redemption through the lens of motion capture computer animation. And much like the method of motion capture, it tries to be about as humanistic and moving as possible, but never can capture the subtle quirks and nuances of the human face and their emotions.

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You're Not Elected, Charlie Brown (1972) (DVD)

Rife with political satire and social commentary, “You’re Not Elected” is one of the more entertaining animated adventures by the Peanuts Gang. In it Charles Schulz and co. tackle the political industry by pinning the classmates of Charlie’s school against each other in a brutal match for class president.

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The Fighter (2010)

fighterI’ll admit I had little to no expectations for “The Fighter” primarily because the stylish trailers have made it feel almost like a clone of the Channing Tatum clunker “Fighting,” when in reality it’s truly an Oscar caliber drama about a man who has the potential to become a boxing legend, but cannot escape the clutches of a family who refuses to let him rise above their lower class pit of despair, regret, and broken dreams. “The Fighter” is based on the true story of Mickey Ward, a low level boxer out of Boston who dreams of becoming the legend his brother Dickey touts himself as.

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Let Me In: Crossroads #1

Intent on following on its own path from the original film, Dark Horse releases the official prelude to the 2010 film “Let Me In,” an introduction four part comic book that takes the time out to remind us that this is its own beast but also very much like the story it takes from with this new version. And much like the remake currently in theaters, the prelude is about as dull as the live action narrative primarily because as a story about a vampire the entire atmosphere drains the life out of the reader from page one. Rambling and meandering, the entire comic takes so many pages of dialogue and drab art to set up the ultimate hook of the entire prelude which will lead in to Abby and Thomas moving in to the apartment tenement that leads Abby to meet Owen.

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True Grit (2010)

true_gritWhen Mattie Ross first meets Rooster Cogburn, it’s behind the walls of a ramshackle outhouse behind a farm house where Rooster is attempting to ward off his young hire while pushing off the runs in his privacy. He holds no pretense about keeping his respect or dignity for her nor does he try to show her his face in the midst of his groans, he just continues with his acts showing her all of the regard he thinks she deserves. When Mattie Ross finally sees Rooster he is a man she is unprepared to confront and has no idea how to approach him. He has one eye, speaks in an unintelligible mumbling monotone of voice that would indicate he is half asleep and drunken during his trial, and his recollections of pursuing and killing criminals are foggy at best. He is a man of loose morals and zero ethics, but Mattie is ready to meet Rooster and woo him with dollar signs and enthusiasm, to which Rooster is neither impressed nor amused by.

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Jonah Hex (2010) (DVD)

jonah_hex_2010_movie-wideI love Westerns. I love great revenge films. I love good comic book adaptations. “Jonah Hex” is neither. In fact it almost aspires to not be a good movie at every single turn that seems almost calculated meticulously to suck the life out of its audience as much as humanly possible. From the casting of Megan Fox as a heroine, Will Arnett as a villain, and the conscious avoidance of the source material’s gritty and bleak Western tone, “Jonah Hex” is an abomination, a sheer testament to the waste of time, money, and resources comic book adaptations can be.

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