Shim Hyung-rae’s action film is a great concept with many possibilities that is never realized in to a watchable movie. While it’s not the worst movie of 2007, it’s an ill conceived film better suited for more forgiving Kaiju buffs. Shim Hyung-rae’s “D-War” is a confusing, poorly written, convoluted mess that only exists to host average CGI monsters, all of which are the actual stars here. Shim Hyung-rae’s film seems much better suited for cable, as its jumbled storyline tends to snuff out any momentum of action or suspense; it does sport one of the most droning prologues in cinema history, after all. “D-War” tends to fall in to repetition as a sloppy bit of fantasy filmmaking that it can never really decide what story it wants to tell. This meandering narrative does nothing but foreshadow future events, and the almost endless flashbacks hoping to bind the story into coherence fail and collapse in on themselves.
Tag Archives: Adventure
Dragonheart (1996)
Rob Cohen’s “Dragonheart” is a film that was admittedly a favorite of mine when I was growing up. When it first premiered on cable, I recorded it on VHS and would watch the movie at least five times a week. Years later, “Dragonheart” is still a fun and rollicking bit of family fantasy fare. It’s by no means a masterpiece, but if you’re in the mood for a nice and breezy fantasy adventure with a hint of menace to it, you might enjoy what Cohen brings to the table. This is also one of the very few buddy action movies involving a human and a dragon, both of whom make up a bickering pair of friends that find common ground and a common enemy.
Bloodrayne (2006)
Look at those… sharp swords…?
Crushing every bit of potential for a great movie under the weight of his own abysmal vision, “Bloodrayne” is yet another video game adaptation that fails to deliver to its audience. “Bloodrayne” doesn’t attempt to appease the intelligent movie-goers, yet Boll aims for the young teenagers and utter dimwits by transforming his adaptation from a horror fantasy about a female heroine in to pure exploitation. Prepare for a ton of blatant nudity and sex that has no relevance to the narrative, or any real point, for that matter. Bloodrayne is yet another leather-clad fetishized Goth whose character emphases is based on her line “I have no family, I am an orphan.”
Yo-Kai Watch: The Movie Event (2016)
After storming the box office in its native Japan, “Yo-Kai Watch: The Movie” comes to America in a very limited run for hardcore fans of multimedia series. If you haven’t had enough of the TV series, the video games, and the toy line, fans will get to watch the big screen adventure of hero Nate, and his friends, the Yo-Kai. For those unaware, Yo-Kai are spirits in Japan that can be good or evil. Nate has a magical Yo-Kai watch that allows him to summon, catch, and catalogue the various Yo-Kai. And they’re a massive variety that stem from nature, the city, and literally anywhere else.
The Mask (1994)
Based on the ultra-violent underground comic book of the same name, “The Mask” is a perfect vehicle for Jim Carrey at the peak of his career. In 1994, star Jim Carrey was capable of being in anything he wanted, and “The Mask” propelled him in to the image of an actor who could transform in to a living cartoon. “The Mask” is not at all faithful to the source material, aiming more toward the PG crowd, while dropping enough adult overtones to appeal to a broader audience. Much in the way Looney Tunes and MGM cartoon shorts once did. Carrey plays Stanley Ipkiss, a normal banker who lives alone with his dog Milo and disappears in to his love for classic cartoons on his spare time. After a bad night at a local night club, he finds a mysterious mask floating in the ocean and takes it home.
E.T. the Extra-Terrestrial (1982)
“E.T.” is pretty much the quintessential Steven Spielberg film. It’s very much an autobiographical tale, and speaks waves about the life Spielberg led and the life he almost wished he’d had. “E.T” is about a weird boy from a divorced family who gains a kinship with yet another outcast who happens to be from another world. The way protagonist Elliott is able to bond with the alien that is stranded on Earth is possibly because Elliott is something of an alien in his own world as well. Despite his best intentions to mix in with his family and his class, he’s something of an oddity who gains something of a sense of identity after garnering a bond with someone from a whole other galaxy.
My Pet Monster (1986)
In the eighties if it was popular it had to have a tie in to something that involved merchandise. It didn’t matter what it was, whether it was Rubiks Cubes, Mad Balls, or even the Garbage Pail Kids, companies were always thinking about new ways to squeeze as much money out of their products as possible. In the eighties, My Pet Monster was a very popular kids toy that was simple in premise. It was a cute horned monster with plastic cuffs that kept its claws secure. The monster was gross enough for kids that loved monsters, but cute enough to warrant being a bed time toy. So naturally Hi Tops gave us an animated series for “My Pet Monster” and a much derided straight to video movie that reeks of a cash grab.