It’s nice to see director Brad Bird inject a new sense of excitement and novelty in to the “Mission Impossible” movie series, as it now embraces its episodic origins to completely reboot the epic story of Ethan Hunt. After the pretty good third outing, “Ghost Protocol” sports an entirely different atmosphere, where the team from the IMF are still out and lurking about, while Ethan Hunt has become a pariah, now jailed in a Russian prison. After Simon Pegg’s character Benji stages a caper to free Ethan from prison, Ethan discovers that the world must be in dire trouble if he’s being turned to for help.
Tag Archives: Adventure
Mortdecai (2015)
Johnny Depp has never been one to be defined as a comedy genius of any sort, and it’s pretty telling of that fact when the one gag he has to ride on throughout “Mortdecai” is his mustache and how it twirls. That’s basically the defining comedic element of Mortdecai. He’s painfully proud of his mustache despite the obvious disgust by his loving wife, and he takes great pride of flashing it around. He even gleams proudly when he finds himself in America packed in to an elevator with men donning mustaches and beards of their own. That’s what counts as comedy in the painfully unfunny “Mortdecai.”
Tomorrowland (2015)
Brad Bird is certainly a fun storyteller filled with ideas about science fiction that’s a welcome break from the normal grim and grit of the modern era, I just wish “Tomorrowland” were a masterpiece. If not, I wish it were more than mediocre. As it is there’s a great movie somewhere in the script, there’s just too much narrative and disjointed writing to really see it rise to the surface and hit a home run. “Tomorrowland” is one of the more entertaining messes of the year. It’s a film that doesn’t introduce its heroine until thirty minutes in to the movie, and completely cuts her out of the equation in the finale. “Tomorrowland” is not a bad movie by any means, it’s just the writing is so scatterbrain and haphazard, I couldn’t really appreciate the whole shebang, in the end; which is sad, because I certainly wanted to love “Tomorrowland.”
“Home Alone” and Its Endearing Adventure
I was seven when “Home Alone” first arrived in theaters, and oddly enough I don’t remember the first time watching it. I did go to the movies to see it, as we always did, but I do fondly remember one night when my brother and I dragged my dad to see it for a third time. Beside “Who Framed Roger Rabbit!” we’d seen “Home Alone” at least three times in theaters, and we loved it. My dad had worked late, and he picked my brother and me up during one snowy night and we debated on what to see in the theaters. He was anxious to watch “King Ralph,” but we begged him to let us watch “Home Alone” once again. He obliged and allowed us to watch it yet again, despite entering the theater mid-way through the movie for the final half.
Spy (2015)
When Melissa McCarthy is misused, she’s a bumbling, awkward, and unfunny mess trying way too hard (see: Tammy), but when she’s used correctly, she’s about as great as any other female comedian working in film today. McCarthy certainly is charming and has a down home quality to her that makes most roles she takes absolutely interesting. Even in such a derivative movie like “Spy,” McCarthy shines and arouses raucous laughs. And because of her, folks like Jude Law, Bobby Cannavale, and Jason Statham manage to shine and earn their own raucous laughter in the process. You wouldn’t think Law or Statham could be funny, but lo and behold, they’re just top notch in another great Paul Feig film about a unique female conquering some form of personal limitation.
Ant-Man (2015)
“Ant Man” seems like a stand alone superhero effort at first, but it fits comfortably in the pegs of the Marvel Cinematic Universe. It also introduces us to a wonderful superhero who, by all logic, should not have translated in to such a great film. Surely enough, with a script by Edgar Wright (and various others) and an excellent cast (including a welcome Hispanic presence), “Ant Man” is one of the best adaptations of Marvel’s Phase Two in their Cinematic Universe. Like every hero in the Marvel Universe, “Ant-Man” is just an average man thrust in to great circumstances, and he has to earn his stripes as a crime fighter while overcoming his own flaws and insecurities.
Avengers: Age of Ultron (2015)
With “Age of Ultron,” Marvel and Joss Whedon essentially pave the way for a series of films that will make “The Avengers” the enduring franchise that fans have always wanted. It’s made abundantly clear that not only is the movie series here to stay, but we can expect a roster of rotating superheroes in the future that will create new conflicts and brand new dynamics. While “Age of Ultron” sags in certain places, it’s a superior follow up to “The Avengers” which was much more simplistic and aimed more to establish the crossover. “Age of Ultron” garners higher aspirations, constructing new story lines and setting up foreshadowing for future films. It also greatly raises the stakes for our team of flawed superheroes, all of whom are still learning to work as a unit. Set almost immediately after “Iron Man 3,” and “Winter Soldier,” we meet the Avengers, all of whom are back in combat fighting Hydra and taking on the elusive corporation’s hideout.







