Director Daniel Brown conducts his short drama much in the vein of Scorsese’s underrated gem “After Hours” in which he uses the exploits of a midnight stroll through the city experiencing various exploits with wackos and locals as a form of our character exploring something about themselves. Alison Strycharz gives a very somber and heartfelt performance as the lovelorn Emily, a young girl whose own undoing may be her inability to take a hint and as such becomes a pariah in her own relationship. Confronting her boyfriend one night after an attempt to spend time with him, Emily moves out on her own in to a new city and finds herself incapable of moving on with her life. There, she does anything to pass the time and wallowing in her own memories with him that may all just be lies she told herself to sleep easily at night.
Tag Archives: Adventure
Galaxy Quest (1999)
In the late nineties, Tim Allen was pretty much at the top of his comedy game. The man was ending a long run on one of the most beloved family sitcoms of the nineties, he was known as the iconic Buzz Lightyear thanks to starring in one of the most revolutionary Disney films of all time, and he was appearing in anything he could get his hands on. One of the more adult related titles he starred in managed to be one of his highest grossing yet low key film to date that signaled an inevitable slump in his film career. But in spite of that descent in to becoming a third rate comedy star bouncing crotch shots off of a bloated brother of a comedy legend, “Galaxy Quest” is one of Allen’s most entertaining films, and continues to be a favorite of mine years subsequent its release in theaters. “Galaxy Quest” is a fantastic science fiction comedy, sure, but many years since its release, it’s managed to be a rotating title on my short list of absolute favorite films.
Toy Story 3 (2010)
What many are assuming is the final installment in the “Toy Story” franchise (until Disney assigns these characters to a new child protagonist) is an otherwise classy and entertaining finisher to what has been a three part exploration in to childhood and the doldrums of growing up and getting rid of the past. While the child audience has taken great joy in the adventures of Buzz Lightyear and Woody for the last ten years, like every other Pixar production it’s about much more than what’s on the surface. “Toy Story 3” much like its predecessors is about recalling a more innocent time and the relics of our past having to face that they’re just not needed anymore.
Serenity: Float Out
I would have killed to be in the audience of hardcore Browncoats as Wash led the Serenity through a swarm of deadly Reavers and land the ship within an inch of his life only to be impaled and die before our very eyes. I can only imagine the gasps and cries among the women as their favorite character died in a flash. Admittedly the “Firefly/Serenity” graphic novels and one-shots have been mixed. They range from mediocre to just plain abysmal, and leave it to nerd extraordinaire Patton Oswalt to take the reigns of the Whedon Universe and bring it down to its emotional core.
Mortal Kombat: Rebirth (2010)
At the end of this, I don’t know if I’ll be writing a review for a fan film, a review for a promotional reel for a director shopping around to sell this new vision or just a glorified game promo for an up and coming new game of the “Mortal Kombat” universe, but as someone who played this game religiously, I had to offer up my thoughts. I can only imagine someone sat down in front of a monitor, was watching “The Dark Knight” and said: “We have to take this approach.” And what we inevitably have is a grim and grotesque take on the Mortal Kombat universe.
Family Guy Presents: Something Something Something Dark Side (2009)
Watching “Something, Something, Something Darkside” is similar watching another episode of “Family Guy.” It’s boring, tedious and so intent on being funny it feels as if it has to point out almost every single joke it posits. “Ahaha, the giant chicken is Boba Fett!” says Peter. Get it? Because the chicken fights with Peter in these long drawn out unfunny fight scenes meant to kill time and hide the fact the show is short on actual story. “I’d give my right hand for this day to end.” Get it? Because Chris is Luke and Luke gets his right hand cut off by Darth. When Luke is hanging from Cloud City, Leia asks Luke to raise his right hand. Get it? Because Chris is Luke and Luke gets his right hand cut off by Darth. “Turn the Ship Around” is played when Leia asks Lando Calrissian to turn the ship around to save Luke. Get it? Because of the disco song. Does any of the target audience even know what Disco music is?
Star Wars: The Empire Strikes Back (1980)
I was born in 1983, so most of my knowledge about “Star Wars” being something of a magical property at its time was because of my uncle who is a big fan of the series and recalls all the stories about watching the original film and “Empire Strikes Back” in theaters with audiences who managed to garner an amazing experience. These days there is no such thing as a genuinely thrilling experience at movie theaters anymore. “The Empire Strikes Back” is the height of the “Star Wars” trilogy, the movie that told audiences a genuine story and amped up its dramatic tension and suspense considerably by adding more depth to its heroes and even adding much more complexity to its villain Darth Vader by giving him a master to answer to who had large plans for the galaxy under his tyranny. “The Empire Strikes Back” is proof positive that without Lucas’ control, this series was destined to hit major high points that arguably faltered with “Return of the Jedi.”