Syncro-Vox is defined as being an animated still or still picture that is given motion through the lips by an actor whose lips are voicing the character and providing the motion of the lips. If you’ve ever seen “Conan O’Brien” or the opening of “Spongebob” then you know what Syncro-Vox is, and it’s an obsolete method used in the rather creaky science fiction animated series called “Space Angel.”
Much like the animated series “Speed Racer’s” propensity for barely moving the characters at all while talking, Syncro-Vox was used as a form of saving money for the animated team, which is made very obvious when you see what “Space Angel” has to offer.
I was never a big fan of Hellboy mainly because it was difficult to find. Here in the Bronx, any chances of ever reading it were futile. But I was a big fan of the original “Hellboy” movie as well as the two animated mid-quels that others found generally forgettable. The first film was Guillermo Del Toro playing Mike Mignola’s game, a veritable bevy of oddities and monsters confined to the modest budget of a studio who had very little faith on the power of this concept. “Hellboy II” however is Del Toro’s game, a movie that’s reliant on the imagination of Guillermo Del Toro who brought with him Oscar cred via the masterwork of “Pan’s Labyrinth.”
