The ultimate question one has to ask with this film is, was Riddick popular enough to base a franchise around? A cool character from an obscure forgettable science fiction film? The only memorable character whom many people refer to as “That cool guy from Pitch Black”? Did they do testing to see if people would respond to Riddick? Not likely, but my more realistic idea is that Diesel needed a hit so he went with his career making character as Stallone and Schwarzenneger are doing to re-claim their popularity.
Tag Archives: Adventure
Garfield: The Movie (2004)
I’m a Garfield fan. Yes sir, I love that orange fat cat. The comic books were pure innocent humor for adults and kids, and the animated series is classic, so I was expecting a lot of fun with the live action movie despite my surprise. In its own unusual way, “Garfield: The Movie” can be fun; it’s a guilty pleasure and has a lot of the usual innocent fun and Garfield is Garfield here. From the lasagna addiction, the laziness, his teddy bear Pooky, and his snide attitude and smug persona that makes him the fat cat I knew. And voicing him really well is the always talented Bill Murray, who sounds like he’s having a lot of fun doing Garfield. He’s a great successor to Lorenzo Music, who was the definitive voice of Garfield.
Star Wars, Episode Three: Revenge of the Sith (2005)
I am a hardcore “Star Wars” fan, I love the lore, the amazing mythology and It’s taken hours before I could summon the emotions I took from this last installment in the “Star Wars” franchise and somehow manifest it in to words, and surely this last “Star Wars” movie was an emotional experience for me. When I stepped in to the theaters and watched the theme blast from the speakers I felt a swell of emotion build up in my chest–maybe it was gas, who knows?–but regardless, this was quite possibly the biggest experience I’ve had in theaters in years. I liked the “Star Wars” prequels, I thought they were okay, but they still just did not add up to the original trilogy and Lucas did a poor job of displaying Anakin Skywalker’s descent in to the dark side.
America's Heart and Soul (2004)
To say this is not a politically charged film is to ignore the elephant in the room. Disney, a strongly conservative company refused to release “Fahrenheit 911” and once that film went to another company and raked in the big bucks there was immense controversy over Moore’s views (big surprise) and then came this. To anyone who denies this is a rebuttal to Moore’s documentary, they obviously can’t read between the lines. Disney stated publicly this was a positive portrait (so to speak) in response to Moore’s documentary plain and simple and wanted to portray America as a positive place aside from Moore’s more truthful portrait. After watching this in the two longest hours of my life, I wasn’t sure whether to put this under documentary or comedy, because if the makers of this film think this is what America is like, well then they’re grossly mis-informed and completely ignorant, and if they expect American audiences to believe this fairytale, then they’re grossly under-estimating the intelligence of American audiences.
Felix Vasquez Jr.'s "Star Wars" Report Card
This list is ranked by my most favorite to my least favorite, and regardless of my feelings for each film, all have the utterly amazing score from master John Williams to show for it.
The Girl Next Door (2004)
I actually liked this movie. It won’t win awards, and I will not spend any money on it, but for a good time I suggest you check this out. If you’re a guy. Usually the casting of a hot girl to distract me never works, but here, looking at Elisha Cuthbert, I just couldn’t help but dismiss the flaws. And there were plenty of flaws. Elisha Cuthbert is really hot. She has this amazing face and unbelievable body, she’s just not human, and that was the saving grace for me with this movie. Watching her parade herself back and forth was amazing and she won me over completely. And then there’s Timothy Olyphant who plays sleazy porno director Kelly, who proves to be quite an obstacle and nemesis for Hirsch’s character. Olyphant is entertainingly over the top in this film, with all the usual clichés with spiky hair, a menacing grim, and sleaze galore.
Home on the Range (2004)
“Home on the Range” is a sign post, it’s a sign post up ahead the reads the basic end of Disney. What once was a company that gave us “The Lion King” and “Bambi” now gives us crap like “Lilo and Stitch”, their direct to video sequels of their classic films, and–this. I wanted to like “Home on the Range”, I really did, I was expecting at best an entertaining animated film that was a guilty pleasure, and even that doesn’t pull off my expectations at all. I was so disappointed after liking the pictures of the animated characters that I saw, but, man, this is a lame movie. The animation is very reminiscent of masters such as Tex Avery, Chuck Jones, and Bob McKimson, the era where cartoons were actually good and funny, does anyone remember that?