The nineties were a peculiar time. The comic book industry was coming out of the huge success of Alan Moore’s “Watchmen,” and Frank Miller’s “The Dark Knight Returns,” while a bunch of young artists formed Image Comics and gave us a slew of new superheroes and avengers, all of whom were dark, bloody, brooding, and hairy. All the clean cut awe of Superman and Captain America went out of style giving way to a decade of muscle bound heroes with pouches, giant guns, massive swords, and a lot of angst that came with their back story. Even a very nineties hero like Spawn was made even more nineties being transformed in to a gun toting bad ass in his own movie. For a decade where superheroes were all doom and gloom, Disney seemed to play off of that trend by offering up a goofy satire called “Darkwing Duck.”
Tag Archives: Animation
The Iron Giant (1999): Signature Edition [Blu-Ray]
A few years ago, Warner Bros. announced plans to give “The Iron Giant” a new Blu-Ray release, and merely was content with stuffing the DVD port over to Blu. Director Brad Bird was not happy with the announcement and asked fans to demand so much better as “The Iron Giant” deserved a lot better than a mere DVD transfer. I was one of those fans that tweeted and asked Warner Bros. to give “The Iron Giant” much better treatment than a simple transfer. I’m happy a shortly after, Warner has allowed consumers the option of two special deluxe editions of “The Iron Giant,” and Brad Bird is able to give fans a bang up edition that is pretty much the ultimate realization of his masterpiece. Not only is director Bird able to deliver his film in High Definition, but he manages to add a few small scenes here and there to inject more nuance and character depth. These alterations work in favor of “The Iron Giant” adding a bit more dimension and length for folks that always hoped for an extended edition.
HollyShorts Film Festival 2016 Shorts Selections Part 2
The short film festival HollyShorts took place in Hollywood August 11th to 20th, 2016. It showcased a ton–yes a ton–of short films from the US and around the world. Here are more short reviews of some of these bite-sized films. This is Part two of the HollyShorts Film Festival Round Up.
HollyShort Film Festival 2016 Shorts Selection
The short film festival HollyShorts took place in Hollywood August 11th to 20th, 2016. It showcased a ton–yes a ton–of short films from the US and around the world. Here are short reviews of some of these bite-sized films.
Fantasia International Film Festival 2016 Wrap-Up
This year’s edition of Fantasia was their 20th, having missed only three or four, I was eager to attend this anniversary year. As usual since moving from Montreal to Southern California, I was only able to attend for a short period, so I made sure to enjoy it as much as possible, making it a point to see films with a crowd and going to the official festival pub while attending the same week as the market and a few friends. I also made a point to see as many movies as possible, seeing a grand total of 28 films for which the reviews can be found at the below this piece (before the list of winners).
Harmony (2015) [Fantasia International Film Festival 2016]
Health and happiness conscious people have found a way to live forever and without despair. In this utopian future, Tuan Kirie is an investigator for the health agency. As she breaks the rules at her outpost position, she is brought back to Japan where a sudden wave of suicides happens as she arrives. Tuan Kirie is dispatched to investigate these and she takes advantage of this to investigate her past as well.
Seoul Station (2016) [Fantasia International Film Festival 2016]
“If I had a place to go… I wouldn’t have stayed at Seoul Station.”
Yeon Sang-ho’s animated prequel to the excellent zombie action film “Train to Busan” is every bit as terrifying as its successor, and occasionally much more intelligent and biting in its social commentary. While “Train to Busan” is a very emotional look at class warfare and how the society divides in the time of crisis, “Seoul Station” is a very evocative commentary on the poverty crisis in the world. This horrific zombie virus is able to thrive thanks to the massive homeless population in South Korea, and it’s confronted more than once in how the government views its homeless as animals and sub-human even before the flesh eating ghouls appear.