The crude animation for “World of Tomorrow” seems like something that would distract from the overall experience, but thankfully Don Hertzfeldt’s short is still very powerful. The impact of the message and the ideas about time travel and unchangeable destiny still resonate, and the crude animation and simplistic voice work almost seem to compliment the abstract ideas presented here.
In 1984, “Police Academy” stormed in to theaters and helped define comedy for the eighties. Suddenly every profession in America was some kind of madcap misadventure, including being a stewardess, for some reason. “Stewardess School” is another take on the formula, this time with a group of misfits doing their damndest to train to become stewardesses, all the while getting naked, doing drugs, and experiencing some of the best stereotypes you can imagine. Filled with only the best C list TV stars, “Stewardess School” is passable entertainment if you keep in mind it’s trying its best to launch a series on the “Police Academy” formula.
Each year I tell myself I’ll make an end of year list of the Best and Worst movies I’ve seen during that year, but usually fail to make said list. This year, I’ve actually done it. Ok, I did it about a week late, but it still counts. In 2015, I saw a little over 200 movies, not all 2015 releases, but still a “respectable” number considering I was mostly out of the reviewing business until July when the bug caught me again. This means I’ve missed a ton of movies and am doing this list out of what I’ve seen. 2015 was as solid year for me with a lot of good to great films and very few bad ones which means this will not be a Top 10 Best and Bottom 10 Worst, but more of a collection of titles to check out or avoid.
With the good comes the bad, and 2015 had its fair share of awful films that left audiences and critics running for the doors. There were some films we outright refused to see this year, so you won’t see “The Human Centipede 3” on this list, nor will you be seeing “Joe Dirt 2,” either. We just will not go out of our way to watch a David Spade vehicle. We also didn’t bother with “The Cobbler.” There’s only so much Happy Madison junk we can stomach.
Bad Movies in 2015 that almost made the list includes the pure havoc Happy Madison wrought with the terrible Pixels, the brutally unfunny Paul Blart Mall Cop 2, and the absolutely unwatchable The Ridiculous 6. We almost included Johnny Depp’s terrible Mortdecai, the piss poor lazy prequel Pan, and also considered the Adam Green self love fest Digging Up the Marrow. We also considered adding the lame and dull We Are Your Friends, and seem to be one of the only five people on Earth who hated Bone Tomahawk. There were just more deserving candidates. On to the Worst of 2015…
As with every year, this is a list of the five best Indies we saw in 2015. While there were many A+ Indies, these five stood out and stuck with us for a long time.
While a few of these movies can be viewed online legally for free, we encourage you to buy these films. Buying them helps the filmmakers, it helps them go on to make another movie you might enjoy, and it helps the small companies that are funding these directors and excellent storytellers. The indie film community needs as much support as it can muster up. Without Further ado… Continue reading
I wish Hollywood would display this much respect and restraint with Dr. Seuss as they have with Charles Shulz. As a hardcore fan of Peanuts, I was initially very weary about how the series would be treated for a more mainstream modern audience. Thankfully my fears were laid to rest watching “The Peanuts Movie,” which isn’t just an adaptation of the original series, but is also a love letter to boot. Fans of the series will love how Steve Martino treats Charlie Brown and his world, opting for a wholesome respectful film, rather than ramming in pop culture references, and a sugary pop soundtrack. There’s nothing remotely cloying or obnoxious about “The Peanuts Movie,” and the new animation format even works in the series favor.
I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.