Army of the Dead (2021)

It’s no big secret how I felt and continue to feel about Zack Snyder’s previous zombie outing, and it’s not going to be a big surprise when I say that “Army of the Dead” stinks. A movie like this is virtually critic proof as it wears its silliness on its sleeves and flaunts it unabashedly to the very end. This is the zombie movie for the audience that grew up with “Left 4 Dead” or “Dead Rising 2” as their original introduction to the walking dead, and Snyder knows his audience. He even introduces our core cast like player profiles, even giving them signature weapons.

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The Woman in the Window (2021)

Joe Wright’s “The Woman in the Window” wears much of its influence and inspiration on its sleeve. Before we meet the character Anna, the camera pans past a still shot of Jimmy Stewart from “Rear Window.” This sets the stage for a movie clearly influenced by Hitchcock’s masterpiece that completely misses the mark on every level. Wright’s film is a long troubled production that could have managed more editing here and there, as it’s a sloppy, droning, and genre confused mess.

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Sound of Violence (2021)

Following the murder of her family, Alexis seemingly miraculously recovered her hearing. As she studies music, an interesting phenomenon happens and she can feel and see music in a different manner than most. This leads her to experimentations that are anything but ethical to get to her goal of knowing and feeling more of the music. As she creates music, a dark secret comes to light. 

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Those Who Wish Me Dead (2021)

Taylor Sheridan’s “Those Who Wish Me Dead” is a nice, neatly packed vehicle that hearkens back to the simpler thrillers from the 1990’s and doesn’t really demand too much from her. Back in the decade, this movie probably would have been headlined by someone like Ashley Judd or some such. In either case, “Those Who Wish Me Dead” isn’t entirely an original or groundbreaking film, but as a solid and reliable thriller, it works. And it works damn well once it gets moving.

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The Trial of the Chicago 7 (2020)

Aaron Sorkin is a man who isn’t shy about dialogue. He’ll enlist huge rants and back and forths between his characters, and yet there’s always something meaningful traded that adds to the overall narrative. A lot of people have taken issue with that staple but it generally works in great favor with “The Trial of the Chicago 7.” It’s not just an excellent dramatic reproduction of a milestone event in 1969, but it also is the movie that we sorely needed right now. In 2020, America completely turned the tide engaging in protests and important statements about civil rights, and Sorkin swoops in to add to the important conversation.

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