Henry: Portrait of a Serial Killer (1986)

John McNaughton’s horror drama is a pitch black film that managed to raise so much controversy upon its release and to this day is still a very polarizing work of art in the horror genre. Like “Texas Chainsaw Massacre” it centers on a point of humanity and pure evil that is irredeemable and absolutely impossible to rationalize. “Henry” is that kind of movie without a single bright spot, a tale about a shapeless person indulging in sadism and murder who thinks of snuffing out human life as a mundane hobby that he revels in indulging in.

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Disney’s Gargoyles 25 Years Later

Premiering in 1994, during a time where Disney was really trying to create series with mythos and complexities, Gargoyles stands out as one of company’s most ambitious animated series of the nineties, and a bonafide masterpiece of the decade. Gargoyles came with an unparalleled production quality that was just impressive all around. From an excellent score to a massive cast of voice actors (comprised mostly from “Star Trek” alums) right down to the amazing animation, Gargoyles was anything but a gimmick. The writers unfolded a complex mythos, and great back stories for each of the gargoyles (many of whom had their own strengths and weakness) all delivering an episodic fantasy with substance.

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3 From Hell (2019)

I don’t know what you can chalk it up to. Maybe it was the unfortunate illness of the late great Sid Haig that caused Rob Zombie to re-write a lot of “3 From Hell.” Or maybe he just didn’t know where to take his characters next. For a movie that takes great pains to explaining in detail how and why the Firefly Clan survived, it’s disappointing when “3 From Hell” does absolutely nothing new with them. Rob Zombie has a lot of windows to basically re-invent his characters and present some kind of social commentary, but in the end it’s just Zombie treading water with middling results.

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Shaft (2019) [Blu-Ray/DVD/Digital]

In 2000, the late great John Singleton’s mediocre reboot of “Shaft” seemed like a great vehicle franchise for Samuel L. Jackson to bring to life one of the most popular anti-heroes of the seventies. Then suddenly nothing. And there was nothing for a long time, no sequels, or follow ups, or even a TV show. Twenty years later, the fans finally get a follow up, but nothing more than a cheap, lazy, and ridiculous legacy sequel/soft reboot by Tim Story that completely undoes a lot of what we saw in the 2000 Singleton version, right down to the gritty crime atmosphere.

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3 From Hell (2019)

The third installment in the Devil’s Reject trilogy (or the House of 1000 Corpses trilogy?), 3 From Hell picks up from where The Devil’s Rejects left off and makes sense of connecting that ending with making a third film. Here the Rejects escape jail and go on the run until bad people catch up with them. Who’s the worst bad guy and best killer? It’s up the audience to decide.

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Hustlers (2019)

Eleven years later, and the great recession is still echoing throughout most of America, especially with fear of a new one. Based on the article “The Hustlers at Scores” by writer Jesssica Pressler, “The Hustlers” is a surprisingly tight and engrossing crime drama. It’s one that takes the still very relevant concept of economic ruin and the ever widening class gap, and injects it in to what’s often a tense and engaging tale of people exploiting people, exploiting people.

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It: Chapter Two (2019)

Stephen King is an author that never goes away even when he’s experienced something of a renaissance in pop culture. King’s “It” remains one of his most iconic and easily digestible novels, but peculiarly a book that needs drastic alterations to make it more palatable for film. Andy Muschietti had a bonafide challenge on his hands to deliver a two part film that confronted the terror of loss of innocence, and confronting the demons of the past. It all invariably comes dropping down on the Losers Club with the help of the mercilessly vile Pennywise the Dancing Clown.

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