As we all saw with Tarantino a few years ago, the idea of Will Smith in a Western isn’t a bad one. Smith has a modern look that’s not accessible for every film, but with the right director Smith could shine. It’s just too bad he straddled himself to Barry Sonnenfeld who casts Will in one of the most poorly conceived TV to movie adaptations of all time. “Wild Wild West” is worse than “Beverly Hillbillies” and “Charlie’s Angels” combined. What’s worse is that director Sonnenfeld has absolutely no idea how to utilize Smith in a Western setting. So by the time the movie has started, rather than rely on the pulpy martial arts theme from the original series, the movie just becomes a showcase for Will Smith to be Will Smith. Even in the old West, Smith is the wise cracking, shade wearing, cowboy who is a hit with the ladies.
Tag Archives: Crime
The Spirit (2008)
I will never understand the reasoning behind Frank Miller ever wanting to direct his own superhero movie. It’s not that he’s directing a movie, either, it’s that he’s directing a movie in the style of Robert Rodriguez’s fast and cheap process where he merely places his cast in front of a green screen for ninety percent of his film. And we must endure a hundred minute crime thriller with people that stumble around a CGI world. Frank Miller has no idea how to grasp at anything other than dark, violent, and gritty thus he takes Will Eisner’s groundbreaking comics and tacks it on to his “Sin City” neo-noir universe. Miller doesn’t outright say it to us, but Miller wants us to very much believe that “The Spirit” is a shared universe with “Sin City.”
The Phantom (1996)
Simon Wincer’s “The Phantom” just doesn’t get any respect, damn it, and I think it deserves a lot more than it receives from movie fans. Not only does director Wincer embrace the source material of the Phantom, but he casts someone like Billy Zane, who fits so well in to the mold of the Phantom, it’s eerie. I just wish more audiences appreciated the boldness of the pulp hero sub-genre for “The Phantom” to have caught on and perhaps spawn a movie series. The best we got in the nineties was a pretty awesome animated series that provided a futuristic spin on Lee Falk’s comic strip superhero. “The Phantom” is a sleek and breezy action film in the vein of “Indiana Jones” that finds Zane as Kit Walker.
Tales from the Hood (1995): Collector’s Edition [Blu-Ray]
Twenty years later, and Rusty Cundieff’s horror anthology “Tales from the Hood” is probably the most socially relevant horror anthology ever created. 1995 gave way to some pretty tame horror entries, but “Tales from the Hood” doesn’t just try to scare, but has a good time delivering some schlock, and sneaks in a lot of social commentary about the race and class warfare that divided us then and continues to divide us more than ever, today. It’s too bad the movie never caught on as a cult classic, since re-watching it years later has allowed me to appreciate it so much more. “Tales from the Hood” tells four horror tales centered on an urban setting and social problem that ensues to this day, incidentally, and they end up being rather compelling and often very creepy.
Cobra (1986)
I am not ashamed to admit that not only is “Cobra” a child hood favorite of mine, but it’s a movie I still quite love, if only for its unique villain. When you take a pumped up anti-hero like Cobra, you have to give him someone to match, and George P. Cosmatos gives us a serial killer cult leader who plans to lead a New World Order of other serial killers. Their plan is to begin a new civilization by—um—killing a lot of people? I wasn’t quite sure what the big plan was. The muddled plan by the film’s villain is made up for by Brian Thompson who is just the ultimate bad guy on film. He’s creepy, menacing, and can deliver lines with his deep grunt that make him sound otherworldly. The best aspect of “Cobra” though is Sylvester Stallone who plays Marion “Cobra” Cobretti. How cool and convenient is that name?
Hard Ticket to Hawaii (1987)
Where else but an Andy Sidaris film can you watch a movie involving drug smuggling gangster, a busty pair of Blonde mercenaries running around in short shorts, and a sub-plot involving a sneaky venomous snake prone to popping up in oddest places? And what’s more is that “Hard Ticket to Hawaii” is played with the utmost sincerity, as director Sidaris unfolds a movie that’s as deliciously bad as its theme song. If there’s any film that should act as an entry point for Andy Sidaris’ repertoire, “Hard Ticket to Hawaii” is a great summary of what Sidaris is capable of. “Hard Ticket…” is often silly and so utterly awful from acting to sound mixing, but it embraces its trappings by injecting as much softcore sex and nudity as humanly possible. Did I mention the sub-plot involving the killer snake (read: obvious hand puppet) that spends its time sneering through crevices and murdering random characters?
Sgt. Kabukiman N.Y.P.D. (1990) [Blu-Ray]
Lloyd Kaufman and Michael Herz’s “Sgt. Kabukiman N.Y.P.D.” is that kind of zany superhero spoof that, with some watering down, probably could have been a Warner Bros. cartoon in the nineties. After having such immense success with Toxie, Troma makes a second grab for cult fame, hoping to catch lightning in a bottle once again. Thankfully, not only is Sgt. Kabukiman N.Y.P.D. one of Troma’s most iconic and popular characters who stands proudly beside Toxie, but his movie is good to boot. “Sgt. Kabukiman N.Y.P.D.” is filled with the typical Troma tropes that make it such a blast. The acting is iffy, the violence is gruesome, the humor is off the wall and original, and the pacing is break neck.