Death Race 2000 (1975)

“Death Race 2000” is notable, not only for being one of the best cult action films ever made, but for the amazing foresight it showed in being one of the many fictional tales predicting the entertainment of the twenty first century. Sure, video game violence and reality television were established before the twenty first century, but it didn’t become prevalent and common until much later, when the extremes for entertainment were established as norms for amusement. “Death Race 2000” is a prophetic and darkly genius action thriller that pinpoints the very nature of human illness and how we view violence as nothing more than a mortal hurdle we can ignore in the face of rewards.

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Shivers (1975)

shivers

Going by a slew of alternate titles, “Shivers” is probably one of the most intense bits of dark horror comedy I’ve ever seen with Director David Cronenberg presenting a premise that is gutsier than most independent films I’ve ever seen. Cronenberg’s horror film is a study of sexual demonizing, and is a movie that only could have blossomed from the seventies. It was a time where puritanical America was suddenly introduced to a range of open sexual exploration and an unabashed orgy of controversy and backlash from hold outs who watched free love, pornography burst into the mainstream, and the celebration of homosexuality.

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God Bless America (2011)

My reaction to “God Bless America” came in three waves. 1. Wait, Bobcat Goldthwait makes films? 2. Wait, Bobcat Goldthwait makes great films? 3. Wait–Bobcat Goldthwait directed one of my favorite films of 2012?! Hot damn. “God Bless America” is one of the most vicious reflections of American pop culture I’ve ever seen. It’s a relentless, tasteless and violent look at one man’s response to the dying culture of America, and how we’ve so embraced idiocy and tailored rudeness in to a positive trait that it becomes only logical to snuff out those who impact it.

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Waffle (2010)

waffleThis is one of the few times in my life where I’ve seen a waffle filmed on-screen and felt a twinge of disgust watching it. Director Rafael DeLeon equates the edible waffle desert with the character Wendy in his short film “Waffle,” and uses it as a symbolic way of revealing her apparent deformity that’s never quite revealed. The local high school alpha queen Dana indulges in a creepy dinner with local science genius and deformed high schooler Wendy and her mother.

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Mockingbird Lane

This is one of the few times where my fandom has kind of come back to bite me in the ass. I am a fan of “The Munsters” and from day one was opposed to this radical reworking of the series. The darkly comic tone with a violent dramatic atmosphere made me irritated beyond belief. “Mockingbird Lane” surprising enough ends up being a wonderful re-imagining of the series that doesn’t quite alter the comic tone of the original series so much as it adds a lot of menace to it. Instead of a sitcom it’s a dark comedy drama, and instead of the eccentric tone there’s a more menacing and brooding color palette. What makes this special even better is that it completely changes the dynamic of the MunsterĀ  family.

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Split the Check (2012)

Split The CheckDirector Patrick Rea seems like a reserved and well mannered man, but his films are just so filled with lunacy and demented humor, it’s shocking he could ever come up with movies so filled with sick twists and turns. “Split the Check” is a short but sweet Patrick Rea cinematic snack that will leave you with your jaw on the floor. That is the basic result of most of Mr. Rea’s films. Always be ready for a final twist. “Split the Check” is a dark comedy with a horror twist that is perfectly suited for its short format.

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Tales from the Darkside: The Movie (1990)

TALES-FROM-THE-DARKSIDESo “Tales from the Darkside: The Movie” is based on the television show, but in the movie, “Tales from the Darkside” is actually a book filled with various horror stories. Does that mean the television show is actually a book? Is the narrator at the opening credits the one telling us the various stories? How did the witch in the film get a hold of the book? And is the witch Debbie Harry plays in the film the same one she plays in the episode “The Moth” where she portrays a devious teenage witch outwitting her mother? It’s never quite indicated. At all. I assume the film is attempting to be meta with the wrap around story, but it never quite works. However we do get a slight instance of the theme song to the television series playing during a scene in the opening.

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