The Wrath of Becky (2023)

With the original 2020 “Becky,” we were introduced to the titular psychotic teenager on a rampage. The small scale but giddily violent movie was a great bit of revenge exploitation with Lulu Wilson bringing to life the conniving anti-heroine. With “The Wrath of Becky,” directors Matt Angel and Suzanne Coote re-introduce us to a new version of Becky. The Becky we meet now has been through a lot, but there are a few things that remain the same with her. One: She is as conniving and cunning as ever. And Two: It’s a good idea not to mess with her dog.

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The Boulet Brothers’ Halfway to Halloween TV Special (2023)

It’s that time of year yet again, the time where we’re officially halfway to Halloween! Not one to ignore the pre-festivities, Shudder celebrates the occasion with their runaway hit, “The Boulet Brothers.” This time around the Boulet Brothers and their wicked horror loving personas pull out all the stops celebrating Halloween the best way they know how: with a classic variety show filled to the brim with blood, dark comedy, and myriad horror heavyweights.

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Kalley’s Last Review (2020)

Man, Julia Bailey Johnson’s short horror film “Kalley’s Last Review” is gruesome. I mean it’s not just gruesome, but it’s also a sharp edged commentary on influencer culture and review channels on youtube. It’s kind of like watching someone just gradually descend in to madness, and while you really want to stop them, you can only just sit and watch them slide further.

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Last Call (2022)

There’s a lot of head scratching moments during director Becca Kozak’s horror comedy “Last Call,” and that’s both a good thing and a band thing. Director Kozak definitely relies on not really leaning on expectations, but that leads us down a bizarre narrative that I, frankly, wasn’t too clear on. It’s unpredictable, and weird, which is a plus. But I couldn’t quite understand to what end our villains were working toward.

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Triangle of Sadness (2022)

There’s always a point where fiction begins to catch up with reality, and even sometimes forecast it, and we’re at a pivotal point of pop culture where artists are commenting on the class divide. What with the rich becoming richer and the poor becoming poorer, now more than ever the film world is ripe for commentary through various genres. We saw it with “Glass Onion” and we basically see it with “Triangle of Sadness” which wears its social satire on its sleeve, and relishes in its darkness and penchant for spitting on social structures.

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Heathers: The Musical – Live at The Other Palace (2022)

How do you take one of the most twisted, yet perfect dark comedies from the 1980’s and make it even better? You turn it in to a musical, apparently. I didn’t know there was even a “Heathers” musical up until about two years ago when snippets of the music appeared on social media. Although I loved the original 1989 Dan Waters dark comedy (it’s a childhood favorite), I was more than open to seeing what the musical had in store. In fact, I was quite optimistic, when all was said and done.

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