Las Vegas has long been a city of many mysteries, of gambling, sins, even murder. Throughout seasons upon seasons of television shows set in the city have shown police brutality and corruption, this film shows that it may very well be closer to the truth than fiction. What Happened in Vegas explores cases where all signs point to police execution or over reach of power that lead to deaths and subsequent framing of the victim as bad, evil people.
Tag Archives: Documentary
Cinema Crazed Covers The 2016 Oscar Contenders
It’s that time of year again, where Hollywood either guides us in to celebrating actual works of cinematic art, or will likely arouse the ire of cineastes for years to come by playing it safe with the obvious crowd pleasers once again. In either case, “Oscar” night 2017 promises to be an interesting and controversial one. With the political landscape, racial landscape, and current crop of movies nominated at this years’ ceremony, a lot of us are hoping the Academy celebrates films that hold a miror to society rather than simply celebrate the safe, and light hearted fare that pass itself at “escapism.” That said, while we are a bit of cynics, we have a good time every year with the pageantry, the fun, and celebration of film.
To remind you of who is nominated this year, we covered a lot of Oscar nominees. If you want to a refresher course of what we thought of a lot of the films up for an award this year, we’ve compiled a list of movies reviewed by the Cinema Crazed contributors. Feel free to voice your own opinions on these films and many others in the comments!
Joe’s Violin (2016)
Kahane Cooperman’s Academy Award-nominated documentary short offers a simultaneous pull on the heartstrings and a classical meditation on violin strings. The eponymous instrument is a violin donated by Joseph Feingold, a 91-year-old Holocaust survivor, to an instrument donation drive conducted by a radio station to help music students in cash-strapped schools in New York. The violin went to an all-girls academy in the Bronx, where it was presented to 12-year-old Brianna Perez, a gifted student from a broken home who aspires to become a music teacher.
Working Class (2011) [San Diego Film Week 2017]
Using A Tale of Two Cities, this documentary tells the story of Mike Giant in San Francisco and Mike Maxwell in San Diego who are both artists and friends who connected through tattoos the first put on the second. Throughout the film, their lives are paralleled and compared until it eventually brings them together.
Country: Portraits of an American Sound (2015)
This documentary made in 2015 and released in early 2017 explores how the image of country singer is developed through photography and has been since the very start of the music genre. Through interviews with photographers, artists, singers, and musicians, the history of country music is explored and the emphasis on how image can help make or break an artist’s popularity are explained as well as the process behind some memorable photographs done by various photographers, some specializing in country portraits and other specialized in portraits.
Art as a Weapon (2012) [San Diego Film Week 2017]
Made in 2012, Art as a Weapon is a documentary about using street art to publicly send a message, may it be of peace, hope, a political one, or any other messages sent to the mass public by way of graffiti, paintings, etc. The film follows an art class in Burma learning to use art with the most effectiveness and contrasts this with American street artist Shepard Fairey. Directed by San Diego documentarian Jeffrey Durkin, the film mixes the Burmese school students’ scenes with scenes shot in San Diego while artist Shepard Fairey was in town painting a Buddhist monk on the side of a building.
The Illinois Parables (2016)
Deborah Stratman’s experimental film considers the wide scope of the American experience through a narrow prism of eleven chapters from Illinois history.
The production considers the eerie near-erasure of the land’s ancient inhabitants – the Cahokia Mounds are shown with scant explanation of their relevance, while Native American culture is viewed in the tacky stagnation of a museum diorama and the expulsion of the Cherokees is encapsulated in a street sign called “Trail of Tears Road.” The rise and fall of outsider communities is also considered in the relatively brief period of the Icarian utopian commune of French immigrants and the rise of Joseph Smith’s nascent Mormon movement (as well as Smith’s death and the burning of the Mormon temple in Nauvoo). Stratman brings in archival footage of the devastating 1925 Tri-State Tornado and stages a re-enactment of the televised re-enactment of the murder of Black Panther leader Fred Hampton by law enforcement.