Room (2015)

Posted on December 17, 2015 by Felix Vasquez

Brie Larson is probably the most underrated actress working today. She’s a force of nature in every film she leads, and manages to outshine even in films that she co-stars in. “Room” is another in a line of original and unique films that Larson makes her own, delivering one of the most layered and heartbreaking performances of the year. “Room” is an unlikely thriller that surrounds the strong bonds of a mother and son, one that overcomes the horrendous circumstances in which the mother and son are ensconced in. Even young Jack, who is a child of violence, is the lone strand of sanity that keeps her from completely breaking down and giving up on life.

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Aloha (2015)

Posted on December 15, 2015 by Felix Vasquez

One thing I can say for “Aloha” is that it’s a beautiful film. If you put it on mute and watch it the whole way through, you can at least appreciate the lovely sights of Hawaii and Emma Stone, with her piercing large eyes, and adorable lisp that rival anything in Hawaii. With the volume on, it’s a horrendous mess that Cameron Crowe bungles up. It’s jumbled, hard to follow, and ultimately feels like three pretty mediocre movies mashed in to one trifecta of incoherence, sugar coated by a great cast, a killer soundtrack, and wonderful cinematography.

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The Breakfast Club (1985)

Posted on December 10, 2015 by Felix Vasquez

John Hughes’ iconic eighties drama has always remained a timeless favorite for me. It’s not just because he manages to speak to the teenage condition, but the human condition. Surely, “The Breakfast Club” still manages to speak waves about how teenagers lived back in the eighties, and how they still live today, but “The Breakfast Club” had something to say about being an adult and how the lessons we learned as a teenager would carry us in to adulthood, for better and for worse. The characters we meet in “The Breakfast Club” essentially find common ground in the way they approach life, and think about themselves, but when we part from them we never quite know where they’re headed.

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Dutch (1991)

Posted on December 10, 2015 by Felix Vasquez

Back in 1991, I was a big fan of “Married with Children,” and loved Ed O’Neill. He was raucously funny as the blue collared Al Bundy, whose life was an endless series of misfortunes, so a big screen career seemed only a natural next step. I never caught “Dutch,” however I do fondly remember it as the failed big screen feature of O’Neill’s that became a consistent running joke on his hit sitcom. You can even see a “Dutch” standee during an episode where Al and Peggy are in a video store, promising a free copy for all customers. Oddly enough, “Dutch” isn’t that bad.

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Northpole: Open for Christmas (2015)

Posted on December 9, 2015 by Felix Vasquez

Yes, primarily Hallmark have used the “Northpole” movies to sell whatever kitschy Christmas ornament they’re touting for the year, but they’ve accidentally built a neat Christmas movie series I want to see more of. Years ago, I would have really loved the adventures of Clementine the Elf, and her quest to restore the Christmas spirit in one unhappy soul. Right now, she’s still a charming Christmas heroine played by the always adorable Bailee Madison. Madison doesn’t even have to do much to look like an Elf, as she’s given pointy ears, and achieves the rest with her wide smile, and large saucer eyes.

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Spotlight (2015)

Posted on December 7, 2015 by Felix Vasquez

One of the most important cinematic accounts of journalism changing corruption since “All the President’s Men,” director Thomas McCarthy’s “Spotlight” garners an understated brilliance in where it explores a long legacy of corruption that’s not only been widely under reported but somewhat accepted. McCarthy manages to draw immense thrills and paranoia from a film that’s very much the antithesis of sensationalism. “Spotlight” is a gut wrenching and mind blowing account of a group of reporters tasked with uncovering one of the largest scandals in world history, a scandal that’s left thousands of victims in its wake.

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Trainwreck (2015)

Posted on December 7, 2015 by Felix Vasquez

It’s nice to see Judd Apatow break free from his formula of a dopey slacker falling in love with the perfect woman. This time around, Apatow has the fresh mind of Amy Schumer who helps deliver one of the most human romance comedies of the year. “Trainwreck” is a film with an array of emotionally gray characters filled with flaws and scars from their youth, and still can’t quite grasp the idea of adulthood quite yet. Schumer is bold enough to take on the lead role of character Amy, a magazine writer who is comfortable in her rut, and doesn’t mind aiming for the bare minimum in both her career and her love life.

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