Shynola directs “Dr. Easy” in hopes of fueling a feature length film in the future, so “Dr. Easy” in its ten minute length is described as a prologue to the bigger narrative. On its own though, “Dr. Easy” is a wonderful and stark look at the future and out absolute dependence on technology and how it will do the work for human beings.
Gifted auteur Chan-wook Park has made his US cinematic debut with “Stoker,” a film that is easily one of the most brilliant horror films of 2013. Park is one of the few Asian imports that’s managed to really debut with a bang, and “Stoker” shows that Park is well worth making it to the states. As well, he has potential to deliver a high pedigree of genre films if he has the chance.
Hey did you see “The Vampire Journals” from Full Moon? Yes? Well, prepare to watch it again, but in a ten minute nutshell version. On par with much of Full Moon’s corner cutting productions, “Decadent Evil” is mostly just nothing but filler, with clips to the days of Full Moon Entertainment when they were actually trying. “Decadent Evil” is barely eighty minutes in length, and counting the opening clip show, and credits, it’s only about an hour of actual movie. All of which is contrived and based heavily around the hope that you’ve seen and remember “The Vampire Journals” fondly.
In 1990, my brother and I watched 1989’s “The Wizard” about thirty times a day and loved the movie every single time we popped it in to the VCR. When I was seven, I dreamed of two things. I dreamed of entering a video game competition and playing Super Mario 3, and travelling around the country with the gorgeous Jenny Lewis. Mostly I wanted the second, but playing Super Mario 3 was also a great prospect. There’s no way to discuss “The Wizard” without seeing it through nostalgia tinted glasses, but while most people claim “The Wizard” is nothing but a ninety minute commercial for Nintendo, I wouldn’t so much call it a commercial so much as a mirror on the culture in the eighties. In the late eighties and most of the nineties, Nintendo simply dominated the world.
How do you ruin potential for a great adaptation of the cult franchise “Wing Commander” in one fell swoop? You cast Freddie Prinze Jr. of course! The leading man with the charisma and talent of a mop stick leads the charge in this science fiction adaptation of the hit video game series, while Matthew Lillard is his spaz sidekick who screeches like a coked up C3P0 during battle, in spite of the fact that we’re told these are experienced soldiers.
Much in the way Bryan Singer practiced with “Superman Returns,” director Zack Snyder displays amazing restraint and subtlety with his version of Superman. Which is surprising considering Zack Snyder is hardly ever about subtlety. This is the man behind the loud and sophomoric “Sucker Punch” and “Dawn of the Dead” after all. But with “Watchmen,” Snyder proved he could disassemble the superhero mythology and completely lands his masterpiece with his iteration of Superman. “Man of Steel” garners a ton of heart and soul, with a tale of Clark Kent’s journey for a sense of purpose and belonging in a home world that’s not his own.
In the universe of “Warm Bodies,” zombification is a metaphor for social inadequacy. Being a zombie makes it impossible for you to talk and socialize with anyone. The rare conversations a zombie does have, is nothing but grunts and a brief dismissal of the company kept. The really bad introverts are terribly animated skeletons with a thing for self-mutilation. This is kind of a PSA for social introverts but with monsters that you can call zombies. I guess they’re zombies. They’re undead, and they eat humans for sustenance. But I just have a hard time trying to figure out which audience “Warm Bodies” is trying to pander to, if anything. It’s definitely a movie for teenagers. The movie doesn’t so much make zombification a disease, as it is a deadly form of social anxiety.